As a response to High Noon, Zach examines what a “real Western” is as he takes a look at John Wayne’s 1959 movie, Rio Bravo.
Browsing: Zach on Film
This week, Zach learns about the old west, HUAC, and John Wayne’s hate for Fred Zinnemann’s High Noon (1952).
Zach travels to Mexico and tells us all about greed and corruption in John Houston’s 1948 classic The Treasure of the Sierra Madre. This episode of Zach on Film is sponsored by HelloFresh.com. Use the checkout code Major50 to save 50% off your first week’s order.
This week, Zach looks at racism, family, and the old west in John Ford’s The Searchers. This episode of Zach on Film is sponsored by HelloFresh.com. Use the checkout code Major50 to save 50% off your first week’s order.
This week Zach learns a little bit about directorial typecasting, films that look a lot a like, Guy Ritchie, Jason Statham, and how to buy a dag, in the 2000 film, Snatch. This episode of Zach on Film is sponsored by HelloFresh.com. Use the checkout code Major50 to save 50% off your first week’s order.
Of all the podcasts in all the world, 1942’s Casablanca had to be talked about on this episode of Zach on Film.
This week, Zach steps into the ring once again to face down the Italian Stallion in Rocky.
This week, Zach makes and offer you can’t refuse – discuss Francis Ford Coppola’s Godfather, or else.
Zach listens to some Jurassic Classic, gets the low-down on guilt, and rocks the peacock wig as he check out Milos Forman’s 1984 Oscar Award Winning movie, Amadeus.
Zach learns all about the coming of age films, music, and making a film personal as he examines the 1973 classic, American Graffiti.
Zach learns about monoliths, IBM, and space travel as he goes through the star gate to experience 2001: A Space Odyssey for the first time.
This week, the lives of Bonnie and Clyde go under the microscope as Zach learns about bloody violence in 1967’s Bonnie and Clyde.
In this episode, Zach learns what it means to tie a room together, the significance of a good White Russian, and the need for cult films, as he watches The Big Lebowski.
This week, Zach explores the Heart of Darkness in Francis Ford Coppola’s 1979 masterpiece, Apocalypse Now.