This month, Rand Bellavia takes a look at his growing longbox, and reflects on comics released in March in 1979, 1984, 1989, 1994, 1999, 2004, 2009, and 2014! Rand Bellavia is back to share his fond memories of decades of comic collecting and reading in this month’s Random Access Memory.

May 1979

Avengers 186

I got a fever and the only cure is more Cow Nurse!

Let me complete Quicksilver’s ellipses for him: “…Milk soup? Really? I can’t even begin to unpack all the things that are wrong with that.”

Cow Nurse gets an origin story!

Next, Vision treats us to an alarmingly unnatural sentence. Editors should really make writers read their scripts out loud before they submit them.

Ah, Henry Peter Gyrich. Now there’s a douche you can set your watch to. Just a few issues earlier, Cap was defending Gyrich from the rest of the Avengers, but even Cap’s patience has limits.

Gee, I wonder who Cap is going to call?

Oh to live in such a simple world.

Comics I Read From May 1979

Amazing Spider-Man 195
Incredible Hulk 238
Iron Man 125
Uncanny X-Men 124
War 15

May 1984

Captain America 296

J. M. DeMatteis’ Captain America run ended with an impressive (and — especially for the time — extremely ambitious) story involving the Red Skull’s “final battle” with Cap. The pieces he had put in place over the previous 30 issues all came together in this final 10 issue story.

The “you” on the cover is Nomad — Cap’s partner at the time. Nomad had been hypnotized by the Red Skull into administering a drug to Cap that reversed the anti-aging effects of the Super Soldier serum.

Early in his run, DeMatteis introduced Arnie Roth, a childhood friend of Steve’s. Arnie was Steve’s protector — in fact, Bucky’s portrayal in the First Avenger movie was pretty clearly based on Arnie. This makes the Steve/Bucky shipping a little more interesting, as — while it wasn’t overt — any reasonable reading of the text makes it clear that Arnie is gay. (When we first meet him, he is asking Cap to save his “roommate” Michael from Baron Zemo.)

Of course, being Captain America’s oldest friend (not to mention being gay and Jewish) makes him a bit of a target for the Red Skull. A captured Cap finds himself forced to watch his old friend perform a grotesque cabaret.

I suppose one could read all of that to refer to Roth’s Jewishness — and I suppose it offered 1984 Marvel some plausible deniability, if they felt they needed it — but you’d have to try pretty hard not to read Arnie’s sexuality into this. But Cap — who’s greatest super power is clearly his ability to sermonize while performing great feats of strength and agility — does his level best to render the implicit explicit.

Fear not, Arnie isn’t yet another “kill your gays” victim. He survives this mental and physical assault. The Bucky panels represent Steve’s feelings of guilt and helplessness, and also set up the next issue, which came out just a few weeks later.

Captain America 297

As you may recall from three sentences ago, Cap is old and at the mercy of the Red Skull. Baron Zemo gets his turn at bat, and decides to make Cap relive his worst moment.

But this is Steve Rogers we’re talking about. Even Thanos knows that you don’t give Cap a second chance.

Cap grabs Bucky before the plane explodes, which means that Bucky is…

Zemo is so shocked by this turn of events that he shifts directly from quoting Anakin Skywalker to quoting Luke Skywalker.

Strangely, the Red Skull loves it!

Because of course the Red Skull has a God Machine. Why his master plan didn’t involve using this machine to — oh, I don’t know — recreate reality as he wished is a question for another column.

Now bear with me. Here we have an in continuity (i.e., no retconning necessary) explanation for Ed Brubaker’s Winter Soldier storyline. In other words, Earth-616 Bucky died in that explosion during World War II, but Cap’s will — aided by Red Skull’s God Machine — brought him back from the dead (or, if you must, created an alternate timeline where Bucky was rescued by the Soviets and made into the Winter Soldier).

Comics I Read From May 1984

Alpha Flight 13
Amazing High Adventure 1
Amazing Spider-Man 255, 256
Avengers 246
Cerebus 62
Conan the King 24
Coyote 6
Defenders 134
Kull 5
Marvel Super-Hero Secret Wars 5
Marvel Team-Up 144
New Teen Titans 1
Peter Parker the Spectacular Spider-Man 93
Prince Namor the Sub-Mariner 1
Ronin 6
Saga of the Swamp Thing 27
Super Powers 2
Teenage Mutant Ninja Turtles 1
Thriller 9
Uncanny X-Men 184
Vigilante 9
West Coast Avengers 1
What If 46
Zot 3

May 1989

Skreemer 2

This is the story that should have put Peter Milligan up there with Gaiman, Morrison, and Ennis. Sadly, it was a little too far ahead of the curve. If it had come out just a few years later, it would be considered one of the pillars of Vertigo. As it stands, it’s largely unread. (And a weird footnote in Steve Dillon’s career.)

Skreemer is, as the trade ads put it “a retro-future gangster epic.” Yeah. That didn’t get me to read it, either. Given the sprawling nature of the story — it takes place over three generations and (years before Pulp Fiction) the story is presented out of chronological order — Skreemer could be forgiven for being a bit of a hot mess, but it is one of the most tightly plotted comics I’ve ever read. It is a joy to reread the story once you know how it all fits together.

Skreemer is about free will vs. determinism, dystopian gangsters, prognostication, and ultimately, hope. It is also about what it means to be a moral person, and what one should (or can) be willing to do to retain their sense of morality in an immoral world. It’s a weird hybrid of James Joyce’s Finnegans Wake and Sergio Leone’s Once Upon a Time in America and it’s totally worth your time.

We never really meet the narrator, but we spend a lot of time with his parents and grandparents.

Charles Finnegan is a good man in a bad world. Let’s see how far we can push him.

Charles had inadvertently entered a church. Confronted by the life-sized image of a crucified Jesus, he falls to his knees.

Spoiler note: the hope I mentioned comes a lot later.

But Charles is made of stern stuff, and the next time we see him, his wife has just given birth to the narrator’s father.

It won’t be.

May 1994

Dork 2

If you know Evan Dorkin it’s probably from Beasts of Burden — or maybe from seeing Milk and Cheese on Johnny Galecki’s t-shirt on Rosanne — but if you like smart humor comics, you really need to check out Dork. The entire run has been collection in one form of another, but the Critics at Large columns from this issue have never been reprinted. These were created by Dorkin and Kyle Baker and originally published by the New York music and culture magazine Reflex. Knowing that they wrote and drew the strip together, it seems clear that their most obvious common ground was Charles Schulz. The artistic similarities are pretty obvious, and, in the second panel, Kyle even riffs on the “How I hate him” punchline from the very first Peanuts strip.

Ostensibly these strips were reviews of New York city concerts, but they typically devolved rather quickly into lists of Kyle and Evan’s complaints and neuroses. Here Kyle hates on audience members while Evan pines for Juliana Hatfield.

Dorkin’s work tends to be pretty busy (small panels with lots of words and figures) and adding another writer/artist to the mix makes for a pretty packed page, but they play off of each other really well, and both men are genuinely funny.

Comics I Read from May 1994

Amazing Spider-Man 391
American Freak: a Tale of the Un-Men 5
Animal Man 73
Books of Magic 2
Cerebus 182
Demon 49
Dreadstar 2
Flash 92
Hellboy: Seeds of Destruction 3
Hellblazer 79
Hellstorm: Prince of Lies 16
Incredible Hulk 419
Marshal Law: Super Tribunal 1
Maxx 8
Palookaville 5
Sandman 61
Shade the Changing Man 49
Sin City: A Dame to Kill For 6
Swamp Thing 144
Violator 1
White Like She 1
Witchcraft 1, 2

May 1999

Preacher 51

One of the strangest — and most endearing — traits of Garth Ennis’ writing is his casual insistence on including fully-developed female characters in his profoundly masculine stories. This isn’t hard and shouldn’t be remarkable or admirable, but we’re all trapped in a world we never made. This is the first of two issues where he takes a look back at Tulip’s past.

We open with her alpha-male father drunkenly bragging to his sycophantic friends about how much he is looking forward to raising his soon-to-be-born son. (One of his friends asks what he will do if his child is a daughter, and everyone dismisses him as if he had suggested the child might be a ball-peen hammer.) The fact that he is in a bar with his friends while his wife is giving birth is telling, as is his response to a phone call from the hospital: “Damn wife died. Damn kid’s a girl.”

Eventually, he finds the courage to meet his daughter, who immediately begins to reshape his myopic world view.

As a child, Tulip is — perhaps predictably — a tomboy. Unpredictably, her father has transformed from a sexist stereotype into a full-blown feminist.

Admittedly, this is a bit of a fantasy, but — in a story with vampires, ghost cowboys who shoot bullets that can’t miss, and a guy who can control people with his voice — surely moments like this are acceptable:

After the parent-teacher conference, Tulip questions her father’s patience with Mrs. Carlyle. His response is thoughtful, kind of heart-breaking, and clearly a formative experience for Tulip.

This being an issue of Preacher, Tulip’s father experiences some vaguely humorous body horror and expires before Tulip makes it out of high school. The next issue fills in the gap between high school and meeting Jesse.

May 2004

Patrick the Wolf-Boy Rock and Roll Special

My band Ookla the Mok has been playing at comic book conventions since the mid-90s. When we are guests at cons, we typically perform concerts on Friday and Saturday nights and spend the rest of the weekend signing merchandise at our table in the dealer’s room. If you attend enough of these cons, you tend to get pretty friendly with the other poor fools who spend their weekends hocking their nerdy wares at convention center tables in strange cities.

Art Baltazar and Franco weren’t even comic book famous back when we met them. (I think we met at the Pittsburgh Comic Con in 2001.) If you’re a fan of their newer stuff, you really should give their pre-Tiny Titans stuff a shot, and Patrick the Wolf Boy is a great place to start.

Shortly after meeting us, Art made his love of Ookla known in the credits page of the Patrick the Wolf Boy Summer Special:

That issue also included a back cover photo of Art, Franco, Adam and I (photo-bombed by the very cool and talented Todd Webb, who I can’t believe was ever that young):

We stayed in contact over the years, and eventually Art let me know that they wanted Ookla to make an appearance in their Patrick the Wolf Boy Rock and Roll Special.

Left to right that’s Adam English, me, and Chris Gajewski. Adam’s never been that jacked and I’ve never been that thin, but Chris really was (and still is) that generically handsome.

At any rate, Patrick finds his way into our room and trashes the place Tasmanian Devil-style while we’re in the elevator.

We also made an appearance on the back cover photo-collage, so you can compare Art’s cartoon version of us with the real deal:

May 2009

Mighty Avengers 25

Dan Slott’s Mighty Avengers run did a lot of rehabilitate Hank Pym, reaffirming his heroic status and establishing him as earth’s Scientist Supreme. But not everyone got the memo, and here Reed Richards makes his lack of respect for Hank a little too clear.

Hank gives as good as he gets, but Reed doubles down.

The responses of everyone around Hank and Reed make this pretty entertaining, but it works primarily because the exchange is perfectly in character for both men.

May 2014

The Field 2

These days Ed Brisson is getting some much deserved attention for his X work at Marvel, but I’ve been a big fan of his since Comeback came out in 2012.

The Field is a great four-issue mini that opens with a pretty delicious concept: A guy wakes up naked in a field with no memory of who he is or how he got there, and the cell phone in his hand starts getting text messages telling him to run for his life.

After dropping you into that scenario — complete with a lot of people trying to kill our man — issue two starts to flesh out what might be going on:

Our man has no idea if he should (or can) trust the very needy man who has — depending on your perspective — rescued or kidnapped him. We cut to a bar where our man’s rescuer/kidnapper left behind a whole lot of dead bodies.

The use of the word “again” might clue you in that we’re dealing with a time loop/Groundhog Day situation. Meanwhile, our man gets a text telling him to go to the men’s room, where he gets a bit more information:

Following the rules of these sorts of things, the guy in the men’s room is killed immediately after giving Grant the specific information he needs to propel the story forward.

Then, on the last page of the issue, we meet the Tomorrow Men:

See you in issue three.

Dear Spoilerite,

At Major Spoilers, we strive to create original content that you find interesting and entertaining. Producing, writing, recording, editing, and researching requires significant resources. We pay writers, podcast hosts, and other staff members who work tirelessly to provide you with insights into the comic book, gaming, and pop culture industries. Help us keep MajorSpoilers.com strong. Become a Patron (and our superhero) today.

RANDom Access Memory – May 2019

May 1979