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    Major Spoilers
    Jace Boucher has established a life of his own, saving kids from monsters and helping them recover. But what happens when a kid runs off near the territory of his old House? Find out in House of Slaughter #11 from BOOM! Studios.
    Review

    House of Slaughter #11 Review

    Ingrid Lind-JahnBy Ingrid Lind-JahnJanuary 20, 20234 Mins Read

    Jace Boucher has established a life of his own, saving kids from monsters and helping them recover. But what happens when a kid runs off near the territory of his old House? Find out in House of Slaughter #11 from BOOM! Studios.

    Jace Boucher has established a life of his own, saving kids from monsters and helping them recover. But what happens when a kid runs off near the territory of his old House? Find out in House of Slaughter #11 from BOOM! Studios.
    You can read this issue via our Amazon affiliate link

    HOUSE OF SLAUGHTER #11

    Writer: Tate Brombal
    Artist: Antonio Fuso
    Colorist: Miquel Muerto
    Letterer: Andworld Design
    Editor: Eric Harburn
    Publisher: BOOM! Studios
    Cover Price: $3.99
    Release Date: January 18, 2023

    Previously in House of Slaughter: Jace Boucher, a White Mask from the Maison du Boucher was being hunted by Aaron Slaughter, his boyfriend. Aaron did not kill him, and Jace shared his new secret. He was on his own. He saved children from monsters and had a camp made up of the survivors he had rescued.

    THE INDEPENDENT HUNTER

    House of Slaughter #11 opens in a Louisiana bayou where a school bus has slipped into the swampy waters. An alligator approaches the open door, which has sunk to water level. But this is no ordinary alligator. It soon becomes apparent that it is a monster. One little boy, Sunny, survives when Jace Boucher pulls him free and kills the monster. The scene changes and we see that Sunny is telling his story enthusiastically around a campfire to a group of kids who all appear to be injured. He claims Jace offered to make him a monster hunter too.

    Jace himself appears and reminds the children of the rules – no weapons, no hunting, and no scary stories. Scary stories, as we know, may generate monsters. But Sunny cannot seem to control himself. His story is cool, and Jace is his hero. The next morning, Jace awakes from a nightmare to find Sunny peeking in his tent. Sunny apologizes for startling him, and for telling stories. He also explains that he just cannot seem to help himself.

    Jace sends Sunny off to breakfast, then he must rescue his totems, Hootie and Scar, from the kids playing with them as though they are only toys. He talks with them, and Scar informs him no monsters are in his immediate area. Hootie reports that Aaron is doing okay. They also warn him that he is getting close to Butcher territory. Jace starts chopping wood and recalls his childhood when his parents send him and a bunch of other children out to find and save children. On the streets, he finds a young red-headed girl with mixed color eyes named Jolie. Then an adult Aaron appears in his memory, accusing Boucher of using children to do their recruiting. He is not a father or a savior; he is a weapon.

    Perhaps this was another nightmare, because he awakens, sees a shadow with one of his daggers, and jumps on it. It’s Sunny. In frustration, Jace yells at him. Sunny runs off into the woods and Jace follows. He is attacked by a monster before Jace can reach him.

    THE RISE OF A MONSTER

    The art of House of Slaughter #11 is terrific. It opens with the school bus. The setting is dark with murky colors except the trail of red floating out from the door of the bus and into the murky waters of the bayou. This is the trail that attracts the monster. It is horrifying enough to imagine an alligator clambering aboard a bus, but having it become even more monstrous is downright nightmare-fodder. Sunny is grabbed. Disoriented, he does not realize that Jace has come upon the scene until the monster is gone. The drama is fabulous.

    I do like the scene of Jace’s childhood. It is amazing how a few short panels can communicate some major differences between Slaughter and Boucher. In both cases, White Masks are pack hunters. But in this book, the White Masks in training are literally a group of children who are overseen by adults. We get a strong sense of family, which is reflected in Jace’s independent rescue camp that he has established. His memory of finding Jolie does not feel full of terror and desperation. It feels invigorating, and he greets Jolie as a friend. The character of this house is in such contrast to the coldness we have previously seen with Slaughter.

    BOTTOM LINE: A NEW ANGLE ON THE HUNT

    House of Slaughter #11 continues Jace’s story and gives us the opportunity to see how another member house of the Order of St. George can follow the same rules yet do so with an entirely different flavor.


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    House of Slaughter #11

    80%
    80%
    I like it!

    Jace Boucher is busy protecting orphans he has rescued, but one of them may be more work than he expected.

    • Writing
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    • Art
      8
    • Coloring
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    • User Ratings (0 Votes)
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    AndWorld Design antonio fuso Boom Studios Eric Harburn House of Slaughter Miquel Muerto Review Tate Brombal
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    Ingrid Lind-Jahn

    By day, she’s a mild-mannered bureaucrat and Ms. Know-It-All. By night, she’s a dance teacher and RPG player (although admittedly not on the same nights). On the weekends, she may be found judging Magic, playing Guild Wars 2 (badly), or following other creative pursuits. Holy Lack of Copious Free Time, Batman! While she’s always wished she had teleportation as her superpower, she suspects that super-speed would be much more practical because then she’d have time to finish up those steampunk costumes she’s also working on.

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