Or – “Batwoman Stole Most Of Her Old Look Anyway…”

I think that the cover of issue #2 has hit on what has been bothering me about this relaunched character:  Barbara Gordon, while essentially the same, has been considerably de-aged conceptually.  It’s nearly impossible to imagine the mid-30ish Oracle, a former Congresswoman and a match for Bruce Wayne himself in the shoes that the first issue put her.  This cover shows a young woman of maybe 25 years of age, and with that realization, something clicked in my head, putting issue #1 in a whole new light.  Will #2 give me more food for thought?

Writer: Gail Simone
Penciller: Ardian Syaf
Inker: Vicente Cifuentes
Colorist: Ulises Arreola
Letterer: Dave Sharpe
Editor: Bobbie Chase
Publisher: DC Comics
Cover Price $2.99

Previously, in Batgirl:  Barbara Gordon’s career as Batgirl was interrupted by a bullet from the Joker which left her paralyzed and in a wheelchair for several years.  Now, she’s back in action, and has found a new home, a new lease on life, and even a new boyfriend candidate.  Unfortunately for Batgirl, she’s also found a new villain who fits in perfectly with the rest of the Gotham City lunatic fringe, and he’s targeting her specifically (in both her Batgirl AND Barbara identities.)  Will The Mirror put Batgirl back on the shelf?


This issue picks up literally seconds after last issue and the confrontation during which Batgirl froze at the sight of the Mirror’s gun.  Her hesitation led to an innocent man taking a bullet, and as we open, The Mirror makes his escape.  Having read all of the relaunched Bat-titles, I find it interesting that this book and Batwoman are the most accessible for me, and as Batgirl leaps into action, I remember why.  The Mirror is more than a match for her physically, and out-thinks her high above the city, causing her to take a damn near fatal spill.  I can’t imagine Bruce Wayne (or even Dick Grayson) being put in the same situation and having it work.  On the down side, I can’t imagine the writers ever putting Bruce Wayne in that situation, but Gail Simone’s writing makes the sequence work, as Barbara tries to shake off the rust from three years off the streets, and has to remember what it is that she’s best at.  There’s also some strong character work with Detective McKenna, the partner of the Gotham City cop that the Mirror killed last ish, as she shows herself to be strong and driven in kind of a Renee Montoya vein, and I’m quite certain that we’ll be seeing more of her in the future.


Batgirl trails the Mirror to the last cemetery within the city limits of Gotham, and Barbara muses about WHY it is still where it is (rich folks have pull.)  For some heroes, this information would have seemed out-of-place, or overly expository, but for Batgirl it helps to put across the fact that she’s always thinking, always processing, and that she remembers everything she’s ever read.  (At least, pre-Crisis, she did.  I don’t know if Barbara’s photographic memory even made it past the ’86 CoIE, much less this latest revamp.)  Batgirl makes mistakes in this issue, but regains her stride when she starts connecting the dots, honoring her intel-gathering roots as Oracle, and I really fell in love with her new roomie during their interactions.  (Short form:  New roomie believed that the obviously injured Barbara had been beaten up by a boyfriend rather than a crazed super-villain, and was ready to call the cops on him, a very effective scene.)  Things end with another big cliffhanger, as Batgirl discovers that Mirror’s true identity, but finds that he is a step or two ahead of her.


Last issue, like many of the DC New 52 #1’s, hit the ground running and gave it’s all to set a dynamic tone.  This issue slows down a bit, building some relationships with Daddy Gordon, with the roommate, with the new boyfriend, and gives The Mirror not only a tragic origin, but a wild-eyed demeanor that makes him unnerving as all hell.  The fact that Batgirl is physically overpowered by the villain and has to reconfigure her battle plan comes across very well, and the art throughout the issue is moody and interesting without falling into the trap of being dark and muddy.  Ardian Syaf delivers a younger Batgirl, and makes her completely believable as a young woman and as a superhero, which is a tough proposition, and his mirror effects are pretty cool throughout the issue.  Overall, Batgirl #2 is an improvement on #1 (which, since I didn’t review it, I should clarify was about a 3 star book for me) and makes me less worried about the larger character arc for Barbara Gordon, earning 4 out of 5 stars overall.

Rating: ★★★★☆

Faithful Spoilerite Question Of The Day:  Is there really anything wrong with a grown woman deciding (in-universe, mind you) to self-identify as a BatGIRL?


About Author

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.


        • If you are asking me, I meant it in a good way but not saying her work on the title was bad. Firestorm was one of my favorite relaunches, but I saw the ideas Clevinger submitted for the character and they sounded awesome. Simone is still one of my favorite writers but hers was a somewhat controversial choice for the title at the time.

    • Any thoughts on the “Professor Stein is Alive” graffiti on the back of the elevated train?


      I think it’s a cool nod that the writer put in before she left the Firestorm book, but I don’t have Stephen’s connections…

  1. Yes, I think that with her age and experience, Barbara Gordon should have a more mature bat-identity. It would be interesting if after retaking her bat girl identity, Barbara realize she have grown up over the girl character. But I guess it can’t happen due to the title branding of the book.

  2. I like the writing and characterization. I do.

    But I haven’t yet gotten an idea of what makes her particularly special. I mean, so far we’ve only seen her fight some random yahoos (constantly expressing how frightened she was the whole time), and a guy who beat the heck out of her. That same guy then ruined her one relatively impressive accomplishment by making it a trap.

    Most of the time, one of the many things we see in the first issue or two is to see what awesomeness makes this character “super.” It seems like every time Babs does something remotely impressive, there’s something to weigh it down in a way where it just doesn’t seem impressive any more.

    She’s very good at martial arts and acrobatics, but obsesses over whether she’s messing up. She’s fast on her feet, but freezes whenever she thinks she may be put back in a wheelchair. She’s a great researcher, but doesn’t think far enough ahead. I mean, I appreciate that Simone is giving us a fully fleshed out character instead of a super cardboard cut out, but that characterization is sort of sapping what makes her special.

    • Good observation. I wonder if this could be linked to her “girl” status. Like you known, since she is “just a girl” she must be just at a sidekick level and can’t be too super on her own (like Batwoman for example).

      • Don’t know. It does seem that Gail Simone is trying to show us someone who’s much greener than the pre-relaunch Babs, but I never got that she looked at Batgirl as a sidekick. In the past, she’s talked up the fact that she wasn’t a sidekick as one of the things that made her unique.

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