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    REVIEW: Wolverine #1000

    Mike McLartyBy Mike McLartyFebruary 13, 20118 Comments9 Mins Read

    Given Wolverine’s assumed age, it should come as no surprise that Marvel reckons the most popular Canadian export short of Bryan Adams is deserving of a #1000 issue. Served up as an anthology, 5 distinct voices give life to everyone’s favorite Admantium runt. Find out if Logan knows the words to ‘Summer of 69’ by taking the jump!

    TITLE: Wolverine #1000 (72 Page Anthology of 5 Original Stories)
    Writers: Various
    Artists: Various
    Colorists: Various
    Letterers: Various
    Covers: Rafa Garres& Stephen Segovia
    Editors: Various
    Publisher: Marvel Comics
    Price: $4.99

    In his Twitterfeed, C.B. Cebulski, Marvel Comics Senior Vice President, Creator & Content Development encouraged new writers to review Wolverine #1000, saying that potential scribes should “…check out such anthologies to see what kind of stories publishers are looking for from newcomers.” He went on to say“…new writers should always remember that short stories are how you will most likely break into Marvel & DC.” Finally, he instructed new writers to train themselves by writing 8 and 11 page stories, introducing characters & conflict while telling a clear, concise story with a middle, beginning and end.

    Several themes repeat themselves over the course of 5 distinct stories contained within Wolverine #1000. WWII American soldiers fighting against Nazis and their overwhelming military might is the subject matter of more than half the stories. Another 40% of the book contains confrontations with creatures of the lycanthropic variety. The one unifying element that permeates the entirety of this landmark issue is the presence of our titular anti-hero, Wolverine.

    Super Werewolf Serum – The Nazi Edition!

    Story Title: Last Ride of The Devil’s Brigade
    Writer: Rick Spears
    Artist: Timothy Green
    Colorist: Veronica Gandini
    Letterer: Tom Orzechowski
    Editor: Michael Horwitz

    Told in two distinct parts, the first half of the story places us at the moment of final impact for a plane full of WWII American soldiers. The only surviving member of the crew is Wolverine, jettisoning himself from the critically wounded aircraft just as it explodes in an impromptu funeral pyre. We’re treated to some insightful exposition as Wolverine frees himself from the confines of his parachute and aims his freefall towards an oncoming enemy fighter. The Nazi threat is winding down, but in it’s last throws of angst, the wounded military beast is thrashing wildly in the midst of exhaling its last raspy breaths.

    Writer Rick Spears captures a lot of power and poise in relatively few panels while artist Timothy Green does an admirable job of depicting the action. The second half of the story centers on Wolverine completing the original intent of the mission; infiltrating an underground Nazi bunker, calumniating in the removal of all perceivable threats. This is when we’re introduced to the distant cousin derivative of the SS version of the Super Soldier Serum. Except this time, the intended result was less ‘super man’ and more ‘were wolf.’ The story ends with a strong espionage component and a cameo appearance from none other than the Howling Commando himself, Mr. Nick Fury. The first half of Last of The Devil’s Brigade was stronger than the 2nd half, earning this portion of Wolverine #100 4 out of 5 Stars.

    [rating:4/5]

    New York State of Mind

    Story Title: Legend of The Crimson Falls
    Writer: Jimmy Palmiotti
    Artist: Rafa Garres
    Letterer: VC’s Joe Sabino
    Assistant Editor: Sebastian Girner
    Executive Editor: Alex Alonso

    It’s a rare treat to read a story from Jimmy Palmiotti without the involvement of his frequent collaborator, Justin Gray. The team-up of Palmiotti & Gray consistently deliver good comics, and it’s reassuring to see Palmiotti’s individual storytelling remains strong as a solo act. Legend of The Crimson Falls features an off-duty Wolverine, looking to return to a favorite off-the-grid location, deep in the Adirondack Mountains. It’s been several years, but being secluded in this part of New York State puts him at ease and allows him an emotional, nigh spiritual cleanse. While much of the area remains as he remembers it, other portions of it are subject to impending change. It seems developers are building near the longtime Lionsgate Hotel, the very spot where Wolverine is headed. Coincidentally, there have been some rather grizzly murders of crewmembers associated with the new development. It seems that these murders indicate that an animal, or possibly something less classifiable, is the offending executioner.

    Leave it to Wolverine to put his tracking skills to work and uncover a long-standing secret of the area. There are some compelling reasons why Logan has always felt a sense of belonging within the region and as a result of his nature, he’s forced to make a hard decision balancing the laws of nature versus the laws of man. Artist Rafa Garres depicts highly stylized art with unusual panel grid layout. At times the linework appears a bit on the murky side, but to be honest, it’s a good pairing with this particular story. The final scene portion of the story was not expected and made for a very satisfying conclusion. Legend of The Crimson Falls is quite enjoyable, earning 4 out of 5 Stars.

    [rating:4/5]

    Adorable & Wolverine In The Same Sentence?! You Betcha!

    Story Title: Adamantium Claws
    Writer: Sarah Cross
    Artist: Joao Lemos
    Colorist: Chris Chuckry
    Letterer: Jeff Eckleberry
    Editor: (None Listed)

    The best contribution within this collection comes from writer Sarah Cross and artist Joao Lemos. In one of the most unusual Wolverine stories you’re ever bound to read, we’re treated to the story of an awkward, teenaged girl who is documenting the events of the day in her diary. It so happens that she (and she’s never given a name, other than ‘kid’) lives her life in perpetual constraint, unable to activate her true inner self. Her hero is none other than real life superhero Wolverine, who’s photos and exploits adorn every square foot of her bedroom. Things are hard for our protagonist, but she’s by no means a wallflower. She returns insulting remarks with her own version of Adamantium claws, her method being rapier wit. One night she happens upon a man who bears an uncanny resemblance to a particular X-Man who is the best at what he does.

    Every bit of this story is endearing and genuinely engaging. ‘Kid’ embarks on a hero’s journey that is bound to shape the rest of her life. Writer Sara Cross is a skillful wordsmith and her humor and sensitivity help shape this into one of the best Wolverine stories I’ve ever read. Artist Joao Lemos renders the tale in an exaggerated ‘cartoony’ style, befitting of the ‘slice of life’ plot. For anyone who tires of the 1-dimensional, perpetual hyper-violence of Wolverine, Adamantium Claws is a fantastic departure point deserving of your attention. This is the first time I’ve awarded 5 out of 5 Stars.

    [rating:5/5]

    You Should Be In Pictures

    Story Title: Development Hell
    Writer: Mark Simmons
    Artist: Mike Ryan
    Inker: Victor Olazaba
    Colorist: Martha Martinez
    Letterer: Dave Shapre
    Editor: Michael Horwitz

    It’s ironic that the offering that includes the most traditionally attractive pencils is attached to the least satisfying story within Wolverine #1000. Development Hell is not a story that takes itself too seriously, but I’m afraid that the ornate linework actually works against the humorous overtones that should have been more effectively imparted on the reader. There is nothing in the character’s ‘acting’ that communicates humor or exaggeration. Therefore, on the surface, this appears to be a shticky patchwork of riffs on common comic book storytelling tropes.

    Our story takes place in the Mojoverse where planetary ringleader Mojo runs his world like a business, specializing in live, televised violence and manufactured drama. Somehow Wolverine has become a prisoner of Mojo and is therefore subject to ongoing manipulation, effectively transforming him into an unwilling media star. Of course Wolverine somehow finds a way to escape the clutches of his captors and our story actually ends with him dropping a one-liner and a wink to the camera. This is by no means terrible, and it most certainly eclipses at least one other Wolverine title currently on the stands (Wolverine: The Best There Is). Development Hell earns 3 out of 5 Stars.

    [rating:3/5]

    Who Can You Trust?

    Story Title: Last Man Standing
    Writer: Vince Hernandez
    Artist: Luke Ross
    Colorist: Guru EFX
    Letterer: Tom Orzechowski
    Editor: Michael Horwitz

    A strong competitor for ‘best traditional art,’ Last Man Standing is a straightforward Wolverine WWII story with some of the finest renderings of landscape and machinery I’ve seen in quite some time. The pencils are infused with heavy lighting and shadow contrast, comparable in style to Steve Epting. The figure work isn’t as expertly depicted, but it remains a strong effort, none-the-less. Wolverine is a recent addition to a platoon of soldiers, an outcast among the men due to his shallow residency and unknown origins. The men are traipsing through enemy territory, just at the cusp of engaging a Nazi brigade. Thankfully, Wolverine leads the charge and creates a tactical diversion so that his fellow soldiers can elicit victory. Will this be enough to ingratiate him into the good graces of the standoffish co-combatants? Writer Vince Hernandez does a good job of answering that question for us. Last Man Standing earns 3.5 out of 4 Stars.

    [rating:3.5/5]

    In an age of Marvel’s excessively high pricing strategy, it’s a rare treat to find a book with high quality and high value. 72 pages at $4.99 is not only a bargain, but it makes this a must-buy book, in my estimation. Support the work of some up and coming writers and send a clear message to Marvel that value and quality is an appreciated commodity to comics fans. I highly encourage anyone with even a tangential appreciation for Wolverine to add this to your purchase queue.

    Go Buy This Book & Do It Without Regret Or Hesitation

    Averages be damned, based on the overall quality and value of this book, I break personal tradition and invoke the potential wrath of Stephen & Matthew by declaring Wolverine #1000 5 out of 5 stars! Hopefully I still have a job next week…

    [rating:5/5]

    Anthology Jimmy Palmiotti marvel comics Review Wolverine
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    Mike McLarty
    • Website

    A San Diego native, Mike has comics in his blood and has attended the San Diego Comic Con every year since 1982. His comic interests are as varied as his crimes against humanity, but he tends to lean heavily towards things rooted in dystopian themes. His favorite comic series is Warren Ellis’ and Darick Robertson’s Transmetropolitan. Spider Jerusalem is the best character ever devised. Mike realizes those statements will alienate a good portion of his potential audience, but those are the facts. You are unlikely to find a single collector with a better Transmetropolitan art portfolio than the one he has in his possession. He is an Assistant Editor for the upcoming Transmetropolitan Charity Book. He also occasionally freelances for various other comics websites, which he promotes through his homepage (www.comickarma.com), Twitter and other inherently intrusive forms of social media. Mike firmly believes that the best writers come from the UK. This could be because he’s of Irish descent; not so much based on physical geography as the fact that the Irish like to drink heavily.

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    8 Comments

    1. brenton8090 on February 14, 2011 6:36 am

      Yep, sorry. #1000 just throws me off completly. Deadpool just did issue #900 as a joke, and so Marvel thought, let’s do a Wolverine 1000? Superman’s only up to the 700’s! Gah! No wonder people are always asking “I want to read comics, but where do I start?”

      Ryan Sohmer makes the point better than I can.
      http://www.the-gutters.com/comic/98-aaron-felizmenio

    2. Matthew Peterson on February 14, 2011 10:31 am

      You hit it right on the head, Brenton. The tongue-in-cheek Deadpool 900 was a joke ABOUT renumbering, as was the fact that Deadpool Team-Up immediately started counting down.

      This is pure bald-faced consumerism. The really awful part is, I kind of liked some of this book, but even if I were to pick up a Wolverine book, something that comes across as this crass and self-aggrandizing ain’t it. I’m gonna stick with “Best There Is.” At least the creative team there isn’t insulting what’s left of my intelligence…

      • Mike McLarty on February 14, 2011 6:02 pm

        I empathize with both of you, but if I drew the line at ‘crass and self-aggrandizing’ I think I would uniformally dismiss all of Marvel’s output as of late. I tried my best to look at the contents of the issue rather than give any weight to the numbering. Numbering, among any number of topics, is an exercise in fuitility. The publishers will continue to do whatever it is that they choose, and in the meanwhile, I will continue to be a discerning buyer and will pick my battles accordingly.

        The benefits to the book far outweigh a numbering sensitivity. Good pricing and good content trump all.

        …and, I would argue that ‘Best There Is’ is quite insulting to readers intelligence… ;)

        • Matthew Peterson on February 14, 2011 9:51 pm

          …and, I would argue that ‘Best There Is’ is quite insulting to readers intelligence… ;)

          And yet, it’s the smartest and most readable Wolverine book in years.

          This is remarkably similar to being the valedictorian at night school, but it is still an achievement.

          • Mike McLarty (mrdystopia) on February 14, 2011 11:44 pm

            I emphatically and respectfully wave the banner of ‘Mileage Must Vary’ as I tsk-tsk under my breath.

    3. Branlock on February 22, 2011 8:21 pm

      “the most popular Canadian export short of Bryan Adams”

      what, no love for Steve Page and his former band?
      or the late, great Leslie Nielsen?
      or classic Aykroyd and Lorne?
      KITH???

      not even the tip of the iceberg.

      • Mike McLarty on February 22, 2011 8:43 pm

        None, save pehaps Celine Dion have the huge sales figures that Adams has accumulated over his career. I never made any statements about the quality of his work (although he did get his 1st real 6-string at the 5 and dime).

        John Candy, Lorne Michaels, Dan Aykroyd…these are all good choices.

        Personally, I would go Harem Scarem, Glass Tiger, Honeymoon Suite, Saga, Colin James, Rik Emmet, Aldo Nova, (sadly, not Helix or Anvil), World On Edge, Rock & Hyde, Alias…I know I’m still missing some…!

      • Mike McLarty on February 22, 2011 8:45 pm

        Plus I should get SOME credit for using the descriptor ‘short’ when drawing a parallel between Canada and Wolverine. Heh. Get it? Short? (sigh)

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