Locked in a never ending battle of good versus evil.

The city of Gotham has been plagued by mooks who think it is rather cool to get jazzed on Joker Juice and go wilding through the streets. Meanwhile someone pretending to be Batman is calling for all good citizens to become vigilantes and protect their fair town. Something is going to come to a head, and it does in the final installment of David Hine’s Batman: Impostors arc.

Writer: David Hine
Penciler: Scott McDaniel
Inker: Andy Owens
Colorer: Guy Major
Letterer: Todd Klien
Editor: Mike Marts
Publisher: DC Comics

Previously in Detective Comics: A fair has just been set up on the outskirts of Gotham, and with the city needing some relief from all the Joker riots, it’s a welcome diversion – except everyone knows something bad is about to go down.


With the Impostor Joker Juice filling the fairgrounds all hell breaks loose, as the Joker mobs turn more insane than before. “Someone” saw fit to stock the fairgrounds with all manner of weapon, and the widespread panic and killing is just the thing the Batman Impostors need to break out their weapons and crack some skulls. The level of violence that Hine depicts in this issue is really insane, as no one is safe in the crowd. It seems as though the creator of the Joker gas, Dr. Kaligari, might get to see his creation/experiment play out in full – but as with any tale the sees fit to punish the wrong-doer, Kaligari is killed by his vary creations.

There are two interesting things that writer David Hine does in this tale that seems like a perfect fit for a Batman tale. The first is the reveal that Impostor Joker is Winslow Heath, a victim of the real Joker’s gas from years ago. But even more twisted than this reveal is the revelation that Heath is also Impostor Joker. It’s a nice twist and once it is revealed, Heath’s (and Hine’s) message is clear; The Batman and The Joker are one and the same, not being able to survive without the other, and their battles will continue to play out again and again, not unlike a wheel going ‘round and around. It’s a theme that readers have seen in other Batman tales, and I’m really surprised that it took Hine four issues to spell it out for us.

The second, and probably more interesting element Hine adds to the story comes at the end when Batman questions Alfred on who really is to blame – did Batman create the villains, or did the villains create Batman? And more importantly, with all the innocents that get caught in the crossfire, who is to blame? Hine, through Alfred, does present an interesting answer in that the citizens of Gotham don’t have to stay in the city; they can always go someone else. It’s a cheap and easy out, but it is an answer that works in the scope of superhero comics, and one that I can put up with for now.


What really sets Heath off in this issue isn’t the fact that the Joker disfigured him and ruined his life, but that the love of his life was also caught up in the fray, and Batman was too busy saving Heath to know that his girl was paralyzed and would go undiscovered by rescue workers, eventually dying on the rooftop where it all went down. It’s a very morbid flashback, and a turn in the story that I don’t think anyone was expecting, and it become even more disturbing when Scott McDaniel brings the words to life. The visual implication that crows fed on her body while she was still alive, and the reveal that Heath carries the body around and has conversations with her jump out at you in McDaniel’s recognizable style.

But his style is also part of the problem, as the skeletal remains of Heath’s love comes off almost comical in the closing pages of the book. I’ve mentioned before that McDaniel has a style that you either love or hate, and there are going to be times when certain things just don’t work. For the most part, I like his human figures and faces, but the dead just don’t come off as gruesome in his hands.


Though it took readers four issues to get to the punchline, I still think Detective Comics #870 is worth a read, if for nothing else than to ponder the question the sanity of the citizens of Gotham – or really any city that is constantly being destroyed by some crazed villain or force. The writing is a tad jumpy in places, but I do like the ending that could have the Jokerz coming back in a future story line (Batman Beyond, perhaps?). McDaniel does a solid job with the living, and mayhem and destruction feels looks real enough. Overall, Detective Comic #870 isn’t bad, and worth of 3 out of 5 Stars.

Rating: ★★★☆☆


About Author

Stephen Schleicher began his career writing for the Digital Media Online community of sites, including Digital Producer and Creative Mac covering all aspects of the digital content creation industry. He then moved on to consumer technology, and began the Coolness Roundup podcast. A writing fool, Stephen has freelanced for Sci-Fi Channel's Technology Blog, and Gizmodo. Still longing for the good ol' days, Stephen launched Major Spoilers in July 2006, because he is a glutton for punishment. You can follow him on Twitter @MajorSpoilers and tell him your darkest secrets...


  1. I thought this issue went a long way to redeem the story arc. The previous issues felt like a filibuster at times, like the subplot with the dirty cops or the kid with the little brother. I have no evidence for this but I wouldn’t be surprised if they had to stretch this story out an issue to coincide with the return of Bruce Wayne.

    I never liked McDaniel’s style of art, the stylized, cartoony, thick line thing, though that may be just my personal prejudice. You can’t help but respect that splash page with the massive fight scene. It really sold the climax.

    Ironically his al Gul one shot kind of redeemed the rode home series, too.

  2. I wasn’t a fan of this art either. Stephen, it’s just a slight mistake, but you said that Winslow was the Joker Imposter and as a twist he was also the Joker Imposter. I know you meant Batman Imposter as well, but for anyone who didn’t read the issue, it could be confusing.

    My only adjustment to your “Worth A Read” rating would be that you really need to pick up the other three issues for this one to be worthwhile. I’ve only read this one and I can say that I get the gist, but it doesn’t make a whole lot of sense and the reveal of Winslow doesn’t mean anything to me since I haven’t read the rest of the arc. That might be just a given, but it’s worth noting. Get the first three and then read this and decide for yourselves. I thought it was just okay, mostly because I don’t like the dumpy thick-lined baggy clothed characters. Nobody but Batman looked over 5-feet tall. Not my cup o’ tea for sure.

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.