Will anyone ever catch El Diablo?
We talked about it briefly on a previous issue of the Major Spoilers Podcast – you know, when the site was down – but I’m really interested in finding out what the World Wide Major Spoilers Fan Base thinks of casting rumors surrounding the upcoming Suicide Squad movie. Though we don’t report rumor as fact, I find it fascinating that Oprah Winfrey is being sought after as the big screen’s (second) Amanda Waller. VOTE!
The new Justice League of America débuts with a whoppingly ridiculous 54 covers, with Geoff Johns on script and David Finch handling art. Will Justice League of America #1 have you declaring “America, F yeah!” or just mumbling “America… ehh… whatever…”? Stoke your patriotic pride as Major Spoilers reviews Justice League of America #1 (this reviewer got the Indiana cover).
It was only a matter of time before Amanda Waller made her presence known in Smallville, and thanks to some creative thinking at the CW, they’ve cast Pam Grier as the tough as nails agent villain.Â Grier will make her debut during the second hour of the Justice Society episode penned by Geoff Johns, when the two-parter airs in January. While I think Grier will do a cracking good job, one can’t help but wonder what CCH Pounder would bring to the table – oh, right, we’ve already seen her live action Amanda Waller on the SyFy Channel’s Warehouse 13.
“I will strike down upon thee with great vengeance and furious anger!” There is a cliché in every action movie where the hero loses his loved one(s) and goes on an angry rampage seeking vengeance until he reaches the big boss. Black Adam takes on that cliché this week as 52 reaches a dark turning point in the DC Universe.
Or “If They’re The Suicide Squad, How Come There’s So Many Of ‘Em Left?” There’s been a lot of talk lately about “realism” in superhero comics. Books like Ultimate Spider-Man have been able to look at characters and events in a more adult fashion, while maintaining the best of what Stan & Steve established for the character. Some books have been wildly successful with a more realistic bent (Astro City, for one), while others have actually created MORE ridiculous premises by taking “realism” to it’s extreme (Mark Millar’s brilliant “Wanted,” for example, does grim and gritty so well that it