Or – “In Every Woman, There Is A Queen…” Generally speaking, my favorite Legionnaires are the ones who are most positive and fun: Â Bouncing Boy and Matter-Eater Lad, making up for less-impressive powers by force of personality. Â Blok, with his thoughtful, yet upbeat alien nature. Â Volume four’s Lightning Lass, with her “all wilts in worry, grows in sunshine” serenity combined with her ability to stay positive while kicking your @$$.Â But today’s entrant is a bit different… Â Of the seven Legionnaires currently stuck in their past on their mysterious mission of mercy, she is the most esoteric, the one with
Or – “Five Ways Father’s Day Can Really Suck…” Growing up, my family never paid much attention to Mother’s or Father’s Day. I’m not sure if that’s because it was the 70’s and they weren’t full-on commercial juggernauts yet, or if we just didn’t much care… Either way, the various children of Captain Dynamo are about the celebrate their first Father’s Day since the reveal of their true parentage, and I predict that they’ll all have a fine time with nary a hitch. However, it should be noted that I predicted that Civil War would end with Captain Ultra and the
Or – “Trying To Separate The Art From The Artist…” When I read a comic (or, honestly, watch a movie, television program, play, or read a book,) I find myself not only enjoying the stories of the characters within the fiction, but the stories of the people behind them. I am fascinated by the thought that while James Kirk is a stalwart hero, Bill Shatner become known as an ass. I’m fascinated by Cerebus, but disturbed and a little bit offended by some of the thoughts espoused by his creator. And then we come to Alex Ross… Regular Spoilermaniacs will
Or – “Hulk No Care About Political Infrastructure!” Though every comic company uses the hype machine, Marvel is often considered to be the pinnacle of pre-release hyperbole, dating back to the heady days of Stan Lee. The House of Ideas has been telling the Fearless Front Facers for months that World War Hulk is going to be huge, and that nothing will ever be the same again. Even granted their overuse of that particular turn of phrase, after reading this issue, I’m starting to believe it.
Or – “There Are Some Resurrections That You Just Don’t Complain About…” Normally, I tend to rant about bringing characters back from the dead. It’s a convention that generally doesn’t work, and I think it’s no coincidence that the two forms of entertainment most guilty of using it (Comic Books and Soap Operas) have stigmas attached to their fanbase. But, frankly, Ice’s death was a cheap 90’s sales ploy carrying just about as much emotional weight as a chromium-embossed Bloodshot cover, and as hypocritical as it might make me seem, I’m gonna chalk up her return in the win column.
Or – “The Big Bombshell Revealed…” Recent conversations with Tom Grice (who is still WRONG, Sir, WRONG!) have made me think that perhaps I’ve been unfair to Marvel lately. The entire Initiative program rubs me the wrong way, and the interlocking nature of the entire dang Marvel Universe right now does color my perceptions of titles like Omega Flight and New Warriors (though I stand by my blatant excoriation of Illuminati #3 and Loners #3.) Thus, I am going to try and give you a more balanced literary criticism of this issue, purportedly the hook upon which Marvel’s new giant
Or – “It’s Like 24, Only Slightly Less Unbelievable…” The Check/Out crossover has been interesting on a number of levels, but most of all, it’s been interesting to see the character interactions. Rucka and Winick seem to be co-writing each issue, with each of the various character voices staying true to previous depictions, even with a rollercoaster plot full of twists and turns. I was entertained by the interaction between Boomerang, Junior and Mlle. Marie, between Nightwing and The Black Queen, but nothing in the story so far has surprised me more than this issue’s final page…
Or – “That Sign Over There? That’s My Breaking Point, And It’s Comin’ Up Fast…” Generally speaking, I don’t drop comic titles very often. What with the general upswing in my disposable income, and a couple of bad experiences desperately searching to fill runs of books that I previously decided were a lost cause, most of my titles end up being cancelled out from under me before I drop them. But my recent problems with the underlying premise(s) of the three Avengers titles are leading me towards a crossroads and, to be frank, this title is near the top of
Or – “The Man To Whom James Howlett Should Be Paying Royalties…” One of the most common reasons I’ve heard for not reading the Legion (after “Too Many Members!” and “Too Much Continuity!”) is the assertion that their future is too bright and shiny, and all the various Lads and Kids and Lasses too well-adjusted and clean-scrubbed. While I can admit that there is a grain of truth to that, the Legion has it’s share of darker types as well, none moreso than the man originally known as The Lone Wolf. Originally a supporting cast member, Timber Wolf was one
Or -“Do You Realize It’s SNOWING In My Room?” I’ve reiterated over and over what bothers me about the Loners: If it’s a superhero comic, and the premise is that the characters are trying to avoid being superheroes (and treating their costumes careers as an addiction) then either they’re going to fail, making them seem weak, or they’re going to succeed, and it won’t be much of a superhero book. This issue takes that inherent contradiction, adds some silly pathos, and at least one emotional outburst worthy of “The Bold & The Beautiful,” and the results are… less than satisfying.
Or – “Would It Kill Marvel To Have A Hero Who Aren’t Emotionally Scarred For Life?” Three words: BETA RAY MOTHA#&$ING BILL! I’ve said for two months now that Oeming has written these issues with the intent that it would be the first arc of an ongoing series. Since the series has been switched over to limited status, this is doubly frustrating. Not only does it feel like we’re watching yet another Marvel title that’s being written for the eventual trade, it seems like a foregone conclusion that Omega Flight itself won’t be assembled until the last issue, by which
Or – “Latveriaaa… Latveriaaa… You Border On The Adriiiiatic!” So, after three issues of Ultimate Fantastic Four, the five issue original miniseries, another UFF crossover, four issues of this mini, the ‘Dead Days’ one-shot, the Fantastic Four crossover, and the Dead Days one-shot, have the Marvel Zombies finally reached the apex of their coolness? There are only so many ways to say “Everybody dies!” after all, although I prefer the fey, disaffected “You die, she dies, EVVVVerybody dies,” from Heavy Metal, m’self. Is this the issue where the franchise is finally (you should excuse the expression) cannibalized?
Or – “Mortal Danger Brings Out The Best In Some People…” Here’s something that strangely entertained me about this issue of Buffy, aside from the story (which is quite good.) This book is called “Buffy The Vampire Slayer, Season 8.” The words Season 8 are printed (though perhaps a bit small) on every cover so far. Yet, on the inside of the front cover, there is a disclaimer that reads “This story takes place after the end of Buffy The Vampire Slayer, Season 7.” … I wonder who that warning is for, exactly?
Or – “Meet The New Boss, Same As The Old Boss…” First off, a warning: I was a huge fan of the original New Warriors title. In my opinion, the first book was cancelled because Fabian Nicieza left and his replacement didn’t understand the character interactions that made the book tick. The second volume tanked because it tried to be an X-Title, and the New Warriors miniseries was a ridiculous trainwreck, hamstrung by the current Marvel editorial caveat that every team must have some sort of schtick that makes them different from the million other super-teams in the Marvel U.