Seriously, you guys, I think that’s Marilyn Monroe!

I’m not sure where the term “stunt casting” in reference to an artist drawing a real person into their art came from, but I choose to credit it to my own assessments of the art of Alex Ross.  Depending on the context, it’s a trick that can be wonderful, but for every Super Marilyn, there seem to be half a dozen ‘Deodato-tracing-Tommy-Lee-Jones-headshots-in-Thunderbolts’ incidents, leading to today’s likeness-rights query…

The MS-QOTD (pronounced, as always, “misquoted”) thinks that perhaps the Ultimate Marvel Universe using Samuel L. Jackson as Nick Fury, accidentally creating a pillar of the MCU is way up there, asking: What’s the most successful example of artistic stunt casting in comic/art history?

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Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.

4 Comments

  1. Daniel Langsdale on

    Probably Steve Bissette and John Tottleben drawing Sting into the background in Swamp Thing morphing into Alan Moore creating John Constantine.

  2. President Richard Nixon being revealed as the big bad in Captain America #175, on the newsstands mere months before the actual President resigns in 1974 because of the Watergate scandal.

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