The secrets of post-Secret Wars Marvel Comics are slowly unfolding, including the location of a major-league villain.  How will Iron Man deal with the return of one of the worst of the worst?  Your Major Spoilers review of Invincible Iron Man #2 awaits!

InvincibleIronMan2CoverINVINCIBLE IRON MAN #2
Writer: Brian Michael Bendis
Artist: David Marquez
Colorist: Justin Ponsor
Letterer: VC’s Clayton Cowles
Editor: Tom Brevoort with Katie Kubert
Publisher: Marvel Comics
Cover Price: $3.99

Previously in Invincible Iron Man: Having created his most powerful and versatile suit of armor ever, the all-new not-really-at-all-different Iron Man has a new lease on super-life.  With the help of his brand-new A.I., Friday (whose holographic interface bears a resemblance to the currently missing Pepper Potts), he has made his way to a destabilized Latveria to try to find out why Madame Masque broke into Castle Doomstadt and what she might have stolen, only to discover an old rival amidst the ruins…  Victor Von Doom!


After last issue’s stunning final page reveal of a once-again-handsome Victor Von Doom, we open with a slightly panicked Iron Man scanning by every means possible to confirm the identity of the man before him.  In a moment that is both incredibly genre-savvy and a little bit disturbing, at the very second that he has a positive ID, he opens fire with the full extent of his repulsor power.  Of course, when Doom effortlessly deflects the barrage, it becomes clear that he was right… sort of.  Doom refuses to return his attacks, and calmly explains what is going to happen: They are going to become friends.  Their interplay and dialogue is wonderful, making it clear that Victor is every match for Tony’s wit, and Doom even explains what Madame Masque was after: The Wand Of Watoomb!  Or rather, a Wand of Watoomb, since there is now canonically more than one of ’em, but what Masque wants with such an artifact is left undiscussed, and Doom rather dramatically ends their confrontation by teleporting Iron Man all the way back to New York with a wave of his hand.  The second half of the issue is an emotionally fraught face-to-face between Tony Stark and Whitney Frost that ends with a VERY surprising moment…


I’m actually quite happy to see Madame Masque once again getting treated as a major threat (although, since it was Bendis’ own run on Avengers that devalued her villainous stock in the first place, this may be more a ‘making right what once went wrong’ thing), and the new status quo for Doom is pretty nicely handled, as well.  It positions him perfectly to be Iron Man’s new big bad, making him a match for both Stark and Iron Man, and also keeps him in circulation in a Fantastic Four-free world.  Though the dialogue and emotion are well-done throughout the issue, the real star is the art of David Marquez, whose armor-work is phenomenal (when confronted with Doom, Tony quickly morphs from baseline to Hullkbuster, and the visual representation of the transition is excellent) but whose real genius comes in faces and facial expressions.  (The gold filigree that he has added to Madame Masque’s trademark faceplate is flat-out beautiful.)  Though the coloring doesn’t always keep up with the strength of his line work, this issue is a visual treat from start to finish, and I have to once again express joy that they’ve gotten rid of the mandrill-faceplate that Iron Man has had for over a decade.  Let’s hope that it stays gone…


In short, this issue continues the measured reveal of Iron Man’s world, using Doom and Masque to great effect, and even leaving the occasionally obnoxious main character better off.  Having someone who can play on Tony’s level both in and out of his armor is gratifying, and Bendis does a great job of capturing Robert Downey, Jr-style dialogue, making this one of my favorite Iron Man takes since Fraction left the book.  Invincible Iron Man #2 makes it all look easy, with strong plotting, good dialogue and excellent art throughout, giving the armored Avenger a lovely new lease on super-life, earning 4 out of 5 stars overall.  I really want more of this Madame Masque…



A couple of surprising adjustment for long-serving Marvel characters, and a charismatic Tony Stark combine with excellent art for a big win.

User Rating: 5 ( 2 votes)
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About Author

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.

1 Comment

  1. I loved this – and more for the artistic storytelling almost than anything else. The.. facial acting that Doom does, getting to see these facial expressions as Doom has genuine FUN in the back and forth banter with a confused Iron man was.. such a treat, and I really have to wonder – was he making facial expressions like this ALL the time behind that mask? Every old appearance of him I’m going to be imagining that it is.
    And Madam Masque, that scene with her was.. fascinating. So strong.
    This is definitely a new favourite for me.

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