His TV show may be gone, but John Constantine isn’t dead yet.

Or rather, he *was* dead, but he got better?  Just forget it, your Major Spoilers review of Constantine: The Hellblazer #1 awaits!

Writer: Ming Doyle & James Tynion IV
Artist: Riley Rossmo
Colorist: Ivan Plascensia
Letterer: Tom Napolitano
Editor: Andy Khouri
Publisher: DC Comics
Cover Price: $2.99

Previously in Constantine: The Hellblazer: Originally appearing just in time to explain to the Swamp Thing that he was an Earth Elemental (and also, what an Earth Elemental was), John Constantine has been an ever-present figure in the background of many a crossover since, pioneering what would become the Vertigo imprint, and even making it to the big-screen (heavily adulterated and Keanu-fied, but still.)  What does the newly-minted DCYou have in store for the magus from Liverpool?


I was 17 years old when Hellblazer #1 came out, and in those days, spotty distribution and limited spending money meant I had to gather the first twelve issues of that series bit by bit over a number of years.  Having bought the character’s first appearance off the stands (that was a few months earlier, in Swamp Thing #36), I have opinions about how a Hellblazer story should go.  This one begins with John Constantine, naked save for his socks, covered in blood and gore, walking into a dry cleaner with a bemused ‘It’s not what it looks like.”  We never really find out what it is that has left him in such a state, but since much of the character’s history has involved the proverbial Noodle Incidents, I’m really sort of fine with that.  John is still haunted by the ghosts of his past, but now it’s a very literal haunting, as his old dead friends (led by 1988 Hellblazer #1 casualty Gary Lester) are following him about and yammering endlessly at him.  This issue is a very smooth read, full of character bits for John (stealing an unpleasant jerk’s wallet, using the money to buy food, hitting on the waiter), leading to a literal demon arriving to throw a wrench in the works…


Still, anyone who has ever read an issue of Hellblazer and/or Constantine should probably know that John and demons never end well, and this story’s mean-spirited punchline is entirely in keeping with all that came before.  Riley Rossmo’s previous art gigs, on ‘Proof’ and ‘Cowboy Ninja Viking’, have already given him a strong Vertigo-style vibe to his artwork, and this issue puts that to great use.  The only downside is a slight sketchiness to facial expressions, one that has a slight blunting effect on the emotional power of several scenes.  Still, the final page cliffhanger is pure Hellblazer, and John is allowed to openly flirt with a hot guy for the first time that *I* can remember, even though his bisexuality has been subtext in the book since at least the 90s.  There is a clever setpiece involving a demonic night club, as well as some super-gross hellish creatures on display, and John walks blithely through it all, getting by on his charisma and a huge bag of luck, making it pure Hellblazer…


While it’s a shame that his TV show got the axe, this relaunch/vamp/boot/imagining does the trick for me, giving us the dark and dangerous, but oddly funny and inappropriately sexy adventures of the world’s snarkiest paranormal investigator.  Constantine: The Hellblazer #1 has the best title John’s adventures have ever carried (save, perhaps, ‘The Horrorist’ back in the day), with a strong showing, clever dialogue and mostly successful art, earning a better-than-average 3.5 out of 5 stars overall.



Well-written and moody, with effective (if oddly crude) art... A nice return for the Hellblazer.

User Rating: 3.58 ( 2 votes)
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About Author

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.


  1. This is the review I had been waiting for all week. The art was such a vast difference to both the end of the original run and the New52 run that it caught me off guard, but by the end of the issue i dug it. Thank you for always talking about the series on the podcast. I finally gave in and grabbed random back issues and loved it.

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