Sailor Moon changed the way anime was done, and like many great successes, had no idea what it was about to do to the industry as it was doing it. Twenty-five years later, we remember why Sailor Moon is so iconic with the new adaptation of Sailor Moon Crystal.

Sailor_Moon_Crystal_Poster_ArtSailor Moon Crystal Act 5: Makoto – Sailor Jupiter
Director: Takahide Ogata
Writer: Mutsumi Itō
Storyboards: Takahide Ogata
Animation Director: Naoko Kuwabara
Publisher: Toei Animation, Viz Media
Price: Free on Hulu, included in subscription to CrunchyRoll

Previously on Sailor Moon Crystal: Evil is trying to get a foothold in our world as the Dark Kingdom seeks to gather energy from humans and find the Legendary Silver Crystal. Standing in their way is Sailor Moon, the warrior of love and justice, also known as Usagi Tsuskino. She is tasked by the talking cat, Luna, to thwart evil, find her other allies, and find the mysterious princess and the Silver Crystal.

By this point, she has found the brilliant Ami Mizuno, Sailor Mercury, and supernaturally powerful Rei Hino, Sailor Mars. There is also the enigmatic Tuxedo Mask that Usagi feels drawn to, and that Luna is suspicious of. We’ve also had a chance to meet the main players of the Dark Kingdom. Leads by Queen Beryl are the Four Kings: Jadeite, Nephrite, Zoisite, and Kunzite. So far, Jadeite and Nephrite have been the ones leading the attacks in our world.


English-speaking anime fans truly live in an amazing time right now. I never even considered the possibility of being able to watch officially-licensed anime the same day it hits Japan. But it doesn’t surprise me that, with the technology existing to do so, that Sailor Moon Crystal took full advantage of it.

The story is straightforward for anyone familiar with the magical girl genre, and for those who have read the manga before. This is the episode where Makoto, Sailor Jupiter, discovers her power and joins the group. It is a very close adaptation to the manga version and in the process shares what I loved about Makoto’s introduction. Makoto, or Mako-chan as Usagi calls her, is described as supernaturally strong and uses that strength to help others. This is even how she meets Usagi at the beginning of the episode, when she saves her from being hit by a car. But her strength also is a barrier for many people in getting to know her, coupled by her being tall for her age. (Tall women and short men in Japan often express frustration at the culture idea of it being desirable for the woman to be shorter than the man. Keiichi from Oh! My Goddess! immediately comes to mind.)

Rumors and cultural ideas don’t stop Usagi in her desire to become friends with Makoto, and seeing the ways Makoto embraces her femininity. On their journey throughout the episode to get to know each other and become better friends, the larger plot comes into play when they hear rumors about grooms-to-be going missing when they visit a certain bridal shop.

The rumors are true, as many seem to be these days about when people go missing, and the Dark Kingdom is behind it. Makoto quickly becomes a target, something else that is common when a new team member is introduced, and it will take the combined skills of Sailor Moon and her allies, Tuxedo Mask, and Makoto herself to stop it.


Naoko Takeuchi has said that this adaptation is meant to be for the fans who grew up with the manga and anime, but that doesn’t mean this isn’t an excellent jumping-on point for new fans. The core ideals of the power of friendship, love, and different kinds of strength are all here.

Sailor Moon, when it was originally released, suffered the same fate as many series both before and after it: the anime rapidly caught up to the manga, and then there was filler, filler, filler. The advantage of doing an anime adaptation now is that the source material is complete. So, while there is new content expected, it comes to the table as revising and fleshing out instead of vamping for time.

Before sitting down to watch it, I had seen various screenshots, and didn’t know what to feel exactly about the art. It pulls some cues from Naoko Takeuchi’s art style, but still is far from that, and also incredibly different from the 90’s-tastic anime I grew up with. Having watched all five episodes that are currently out, I’m feeling much more comfortable with the art style, and I wonder if some of the screencaps were a result of pausing at awkward moments.

That isn’t to say there aren’t a few moments that felt off, but they are very few and the moments that bothered me (as minute as they were) weren’t in this episode. This episode is simply beautiful from start to finish. I am enthralled by their transformation sequences, and how well they were able to blend concepts from the original anime with new elements and animation that make Sailor Moon Crystal its own thing.

There is a distinct lack of super-deformity, large sweatdrops, and facefaults in this episode, and in the series in general. This is significant in helping maintain the more serious mood that the manga had. Usagi’s immaturity was magnified exponentially in the original anime, even as she slowly became more mature. In the manga, and Sailor Moon Crystal, she still starts out immature, but feels much more organic and less like it borders on caricature or trope.


This episode is the best one so far, and is required watching for any Sailor Moon fan. I also highly recommend it for people who may have been put off by Sailor Moon’s sheer size of continuity, as this series has only been slated for 26 episodes (so far). If you want to get the gist of Sailor Moon, this episode has an excellent summary of what most fans love about the series, and what Usagi, the heart of the show, is all about. All in all, I give this episode of Sailor Moon Crystal 3.5 out of 5 stars.


About Author

Becky lives in Philadelphia, but is from the Midwest, and is still weirded out by the ability to go to so many big cities on the Eastern Coast in a short period of time. She's been geek and nerd her entire life, and never grew out of telling her own stories about the characters she saw in TV/movies and books. This lead to thinking of some of her own stories too, and getting a B.A. in Creative Writing from Eastern Michigan University. Her second greatest love is sharing her interests with her friends. She was often called "the Library" with how often she let her friends borrow her books, and for her vast collection of manga that would put 98.72% of libraries to shame.


  1. Great Review!
    I like how Toei is spacing the release out to every two weeks (With the off-weeks filled by Marvel’s Disk Wars)
    As a Canadian, I have some trouble trying to officially watch new episodes. A lot of sites are geo-locked to the US for their streaming. Luckily, there are a lot of grey-market alternatives that are a google-earch away.

    Makoto is my favourite Sailor Senshi and I really enjoyed this episode.
    As a whole, I am really appreciating this “all plot, no filler” version of the series.

    I’m a little concerned about this series, though.
    I wonder if it will be able to attract all that many new viewers. The Magical Girl genre as a whole has been VERY developed since the original series completed. Take a recent entry like Madoka Magica. The genre has progressed so far that it can support an intelligently-written deconstruction series.
    I’m a little afraid that the younger viewing public might look at Sailor Moon and see something quaint or, at worst, something very predictable and boring.

    I’ll keep watching though!

    • Thank you!

      Naoko Takeuchi has said in interviews that this Crystal is for the fans of the series. Despite this, I do believe it can draw in new fans too, and stick by my claim that it is a great jumping on point. But you’re right, it might not appeal to younger audiences, which is one reason I think it’s great for adults who never got into it and are interested and aware of Sailor Moon’s influence on the industry and culture.

      And sure, this is being made post Madoka Magica, but MM was a deconstruction of the magical girl genre – something in which Sailor Moon is a cornerstone of. So one thing I’m really excited to see is analysis of the original anime and manga to MM to Crystal. This isn’t a straight adaptation – there are already revisions in play, and I’m very excited to see how it will play out later.

      So yeah, I see this appealing to a more adult audience.

    • I regret to admit that, after reading this comment, I spent several whole minutes trying to figure out Sailor Moon analogues in Critical Hit and to devise a joke connecting the two. I regret to say that it was a huge waste of time, and nothing has come of it, not even a funny “[sailor moon character]=[Critical Hit character] confirmed!” joke. I’m so sorry.

      • If you go off of their main strengths, I see the following:

        Sailor Moon = Orem
        Sailor Mercury = Randus
        Sailor Venus = Ket (which means Guy is Artemis)
        Sailor Mars = Trelle
        Sailor Jupiter = Torq

        These aren’t perfect analogs, of course, and there’s the possibility of switching Orem and Trelle, but yes. What scares me is how quickly I came up with it.

        • Oh, I was trying to find *Rodrigo* characters to match them, as opposed to party members. I find it a little hard to gender bend the sailor scouts, in general. That said, Randus as Mercury and Ket as Venus work pretty well for me, but I think Usagi is a *much* better fit for Trelle than Orem (clumsy, frequently overwhelmed by emotion, stares a lot), and Rei is an equally terrible fit for either of them. Maybe Orem could be Sailor Venus and Ket could be Tuxedo Mask! The Queen’s Rebellious Daughter, naturally, would be Sailor Pluto. Ultra powerful, completely opaque in motivation, and shows up completely randomly to do something cool.

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