In the fourth issue of Loki: Agent of Asgard the reader doesn’t get to see very much about the title character, rather Sigurd reigns supreme in a pretty mediocre issue.

Writer: Al Ewing
Artist: Lee Garbett
Colourist: Nolan Woodard
Letterer: VC’s Clayton Cowles
Editor: Will Moss and Lauren Sankovitch
Publisher: Marvel Comics
Cover Price: $2.99





Loki: Agent of Asgard, despite being an obvious ploy for the twenty-something-tumblr-user-female-market, has picked up in the most recent issues and Al Ewing had proved to me that he actually knew what he was doing with this book.

Then I came to Loki: Agent of Asgard #4 and found myself rather disappointed. It opens with Siguard (Asgard’s first hero – and points to Ewing for using a character of colour), ascending a mountain “somewhere in Tibet”. It is there that Sigurd meets Kaluu: Master of Black Magic. Sigurd explains to the less-than-receptive Kaluu that he is seeking to enter the cycle of reincarnation to avoid whatever tortures might hay for him at the hands of the Valkyrie.

Through a flashback we see Loki and Verity on what could be a date. It looks like a date? Loki’s cute. Verity’s cute. The status of potential date-hood is interrupted by the appearance of – unsurprisingly – Sigurd. He and Loki fight (quite creatively inside a dumpster), and Loki dies.

In the fourth issue of his own book.

It could have been a really meaningful moment were it not so transparent. Ewing shows his cards a little in this move. Loki: Agent of Asgard #4 is the first moment in this entire series (so far), where it feels like Ewing is working within a predetermined framework rather than letting the story grow organically. It’s a bit upsetting as a member of the target audience for the issue because it makes Loki’s solo title feel contrived – which it is.

Back to the plot of Loki: Agent of Asgard #4 – Sigurd and Kaluu come to an agreement (in the form of a blood pact), Kaluu reveals himself to be a much bigger villain than we were initially introduced to and Loki, in a rather unsurprising move, comes back to life! Much like Ewing, Loki shows his hand and the audience gets to see that the entire plot of Loki: Agent of Asgard #4 has played out according to Loki’s plan. The devilish contract between Sigurd and Kaluu’s-actual-identity is resolved and the God of Mischief and Lies completes his mission for the All-Mother. That last little detail is important as he failed in his last task for the ruling triumvirate of Asgard.

The final page of Loki: Agent of Asgard #4 is the most interesting development of the entire issue. It features Loki, Verity, Lorelei and Thor and a creative use of the word “AGENTS”. As interesting as it is, I’m not certain is that splash page alone is worth the price of admission to Loki: Agent of Asgard #4 as a whole.



Much like the recent Young Avengers series out from Marvel the best thing about Loki: Agent of Asgard #4 is the art. Lee Garbett has a cool style (not dissimilar to Jamie McKelvie’s of the previously mentioned Young Avengers run), that lends itself to the semi-sarcastic and self-aware tone Loki: Agent of Asgard is going for.

My main confusion is why Loki wears black nail polish throughout the issue and the series as a whole? Perhaps it’s a solely stylistic thing, but every time I see his ebony nails I find it … weird.

Colourist Nolan Woodard breathes a lot of life into Garbett’s lineart always garbing Loki in something green, if not always suggestive of his original Norse costume. However, I wish Siguard had been given a similar treatment (perhaps featured in wine red as a heroic figure?), rather than garbing the legendary hero/anti-hero in greys

Loki: Agent of Asgard #4 is a beautiful looking comic book, the colouring draws distinction between the quote-unquote “good” characters and the quote-unquote “bad” characters. It is well crafted for a series that focuses on a mythological character based in the world of magic.



If you haven’t been invested and involved in Loki: Agent of Asgard up to this point this issue is not a necessity. It may play out better when read as part of a collection. The previous four issues up to this point have grown in quality to this point and I can’t but hope this is just a swing and a miss rather than a strike out from this point on.

The Author

Ashley Victoria Robinson

Ashley Victoria Robinson

Ashley Victoria Robinson is a Canadian girl by day and Robin by night. She lives in Los Angeles now and stars as Ensign Williams in THE RED SHIRT DIARIES, co-hosts the GEEK HISTORY LESSON podcast and writes for Top Cow.

Previous post

Come out and play...

Next post

Top 400 Comics for April 2014


  1. comics
    May 12, 2014 at 9:06 pm — Reply

    Old Loki in Siege also had black nails, so it’s not really a sudden thing.

  2. Andy
    May 12, 2014 at 10:48 pm — Reply

    Oddly I thought this issue was really good. I think the focus on Sigurd made sense for the story. Much better than the previous issue imo. Good review.

  3. May 14, 2014 at 5:22 am — Reply

    “Weird”. In a comic book. You mean it’s not quite what guys do. Yeah. And cut it out with the singling out this comic like it’s especially a pandering type title when most comic books blatantly and cringingly cater to the average geeky white dude. Anyway.

You know you have something to say, say it in the comment section