Or – “I Still Don’t Get The Helmet.”

Carol Danvers has been kickin’ around the Marvel Universe for decades, and has made several attempts to break through to A-List hero status.  Now that she’s picked up the mantle of the fallen Captain Marvel, has she finally made it?  Your Major Spoilers review awaits!

Writer: Kelly Sue DeConnick
Artist: Dexter Soy
Cover Artist(s): Ed McGuinness/Dexter Vines/Javier Rodriguez
Letterer: VC’s Joe Caramagna
Editor: Stephen Wacker
Publisher: Marvel Comics:
Cover Price: $2.99

Previously, in Captan Marvel:  After a run-in with a resurrection Mar-Vell during the events of Avengers Vs. X-Men, Carol Danvers (the long-time Ms. Marvel) has officially taken over as Captain Marvel.  Her first mission went well enough, taking down Absorbing Man with Captain America before encountering one of her childhood aviation heroes.


The first complaint that I had about last issue was the VAST difference between the art on the cover and what we saw inside the issue.  It wasn’t even a question of the old publishing tactic of putting a hot artist on the cover to hide sub-standard interiors, either, but a fundamental dissonance between what we see on the covers (the clear linework of Frank Quitely and/or Ed McGuinness) and the interiors (a complicated and moody fully-painted art job by Dexter Soy.)  Also troublesome for me is the fact that Carol’s hair is swept up in a weird-looking bob on the covers, but is her regular shoulder-length blonde locks on the first pages.  The interiors are gorgeous, don’t get me wrong, but they’re miles from the simple-four-color promise of the outer shell.  Now that we’ve gotten that out of my system, we can talk about issue #2 in depth, as Carol Danvers inherits the plane in which her idol Helen Cobb first broke 37,000 feet.  I do like DeConnick’s Captain Marvel, with Carol Danvers keeping the edge that has always been part of her character without turning into a shrieking protocol harpy the way she did during Civil War.  Carol manages to duplicate Cobb’s aerial feat, but the plane suddenly stalls and goes into a dive, leaving her in a quandary:  If she uses her powers to save herself, she destroys a piece of history, but if she doesn’t, there’s a certain crash in her future…


Before the crash, though, Carol feels a strange sensation, and comes to on the ground.  There are some tense moments as she tries to figure out what happened, whether she crashed, where she has ended up…  She ends up at the end of several unfriendly rifles, and has a very charming moment wherein she tries to communicate with her captors, only fo find them speaking Japanese.  I don’t know enough Japanese to know if their speech is accurate, but it’s still a clever moment when she realizes that she’s traveled in time, and struggles to remember Avengers time-travel protocols.  “Something about butterflies?” she wonders, and then snips that Spider-Woman was right, they really need a handbook.  The second half of the book is fun, with a group of female commandos rescuing Marvel, and running through the usual worries about changing the future, using her powers, etc.  The group she encounters calls themselves the Banshee Squad, and they’re a pretty cool bunch, sort of a distaff Howling Commando unit, though I question some of their costume choices as seeming a bit inappropriate for 1943…


The biggest complaint about this issue that’s NOT related to the choice of cover artists is the sudden way that the timeskip is sprung on the reader.  We’re watching Carol crash her plane, in a life or death struggle with gravity, when suddenly, BANG!  It’s 1943, and nothing we know is right.  Did she crash?  Is she hallucinating?  Has there been an external force in play?  We don’t know, and while the rest of the issue is interesting, but the questions of what in the blue hell is going on never really leaves my mind.  Still, Captain Marvel #2 looks great and makes the character appealing and approachable even in a strange land, earning 3.5 out of 5 stars overall.  I’m happy to see Captain Marvel getting a good start, even as I’m leery of the cover-versus-interiors problem…

Rating: ★★★½☆

The Author

Matthew Peterson

Matthew Peterson

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture!

And a nice red uniform.

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  1. August 17, 2012 at 8:53 pm — Reply

    I’m also a bit bothered by the fact that the primary cover makes it look like Carol is making a very rude gesture towards the audience… :)

    • ~wyntermute~
      August 17, 2012 at 10:53 pm — Reply

      Actually, in some cultures that =is= a rude gesture as it stands. And I agree with the “what’s up with that hair, girlfrien’?” cover.

  2. Dan
    August 18, 2012 at 8:02 am — Reply

    I’d have to say it reminds me of Rosie the Riveter. Am I alone on this one?

  3. Infernalistgamer
    August 18, 2012 at 8:30 am — Reply

    Does no one here recognize the Rosie the Riveter rolling up her sleeves reference here?

    • August 18, 2012 at 9:52 am — Reply

      Does no one here recognize the Rosie the Riveter rolling up her sleeves reference here?

      I recognized it. It still looks like Carol is giving the audience bras d’honneur.

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