The creators of 100 Bullets are back with another creator-owned comic for Vertigo. Does Spaceman #1 have the right stuff to get off the launch pad?

Written by Brian Azzarello
Art by Eduardo Risso
Color by Patricia Mulvihill & Giulia Brusco
Letters by Clem Robins
Edited by Mark Doyle & Will Dennis
Cover by Dave Johnson
Publisher: Vertigo

Azzarello and Risso’s latest debut for the Vertigo imprint is nothing short of stunning. Priced at a dollar, there is no reason not to pick this issue up. Spaceman #1 presents a gnarly, ugly future where the ice caps have melted, reality TV rules the airwaves, the space program is grounded and textspeak is the new patois of the underclass. (Wait a minute, none of that is far-fetched at all!) Our protagonist in this brave new world is Orson, a rather simian fellow genetically-engineered for a NASA Mars mission that never happened. Left to his own devices, Orson whiles away the time buying drugs from little kids, engaging in virtual reality webcam sex chats and salvaging junk from pirate-ridden flood zones.


There’s another story running parallel to Orson’s, centered on a Jolie/Pitt-esque famous first family of reality television. One of their multi-cultural adopted children has been kidnapped – a plotline that will intersects with our erstwhile wannabe cosmonaut’s by issue’s end.

Brian Azzarello usually shows a deft hand with dialogue, and his writing on Spaceman is no different. He’s pulling a low-grade Clockwork Orange bit, making his own Nadsat out of our current cultural predilection for abbreviations and texting language (and it works). Azzarrello has also created a compelling protagonist. In an interesting twist, Orson isn’t the handsome lantern-jawed astronaut of typical depictions; rather, he’s almost Neanderthal-esque. Orson’s entire reason for existence has been taken from him, and his struggle for existence while maintaining faith is palpably felt.


Eduardo Risso’s art is bold and confident. The dystopian setting allows him to show more verve than in 100 Bullets. The drowned cityscapes and jury-rigged machinery are highlighted by washes of color and blunt, broad shadows.  Risso crafts a world that feels lived in, but worn thin, reflecting Orson’s stunted dreams. Dave Johnson’s cover also deserves a shout-out – it’s beautifully retro, and evokes the feel of the comic.


Spaceman #1 is a fantastic first issue. Appealing both visually and intellectually, Azzarello and Risso have created a comic book that pops from the first page, building an engaging new world while promising a great story to come. With an asking price of a single dollar, there isn’t a better value in town. Spaceman #1 scores a perfect five out of five stars. Check it out.

Rating: ★★★★★

The Author

George Chimples

George Chimples

George Chimples comes from the far future, where comics are outlawed and only outlaws read comics. In an effort to prevent that horrible dystopia from ever coming into being, he has bravely traveled to the past in an attempt to change the future by ensuring that comics are good. Please do not talk to him about grandfather paradoxes. He likes his comics to be witty, trashy fun with slightly less pulp than a freshly squeezed glass of OJ. George’s favorite comic writers are Warren Ellis and Grant Morrison, while his preferred artists are Guy Davis and Chris Bachalo, He loves superheroes, but also enjoys horror, science fiction, and war comics. You can follow him @TheChimples on Twitter for his ramblings regarding comics, Cleveland sports, and nonsense.

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1 Comment

  1. Kent Nelson
    November 1, 2011 at 8:28 pm — Reply

    Peanut butter and jelly. Batman and Superman. Abbot and Costello. Green Arrow and Green Lantern. Lucy and Ethel. Bill and Hillary. Moses and the burning bush. Now you can add the team up of Azzarrello and Risso to that list! You can never, ever, EVER go wrong with an Azzarello and Risso story! Azzarello’s writing reflects Risso’s art perfectly, and Risso’s art reflects Azzarello’s writing perfectly. I can’t think of a better team. I was hooked on “Spaceman” from the first panel!
    Another great Azzarrello/Risso collaboration (if I can make a non-Spaceman plug) is “Broken City”, which compiles Batman issues 620-625. Flawless.

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