Or – “Do Ya S’pose This Would Be The Twelfth Or Thirteenth?”

Before the fez, before the brainy specs, before the leather jacket and jumper, there was a time when the general public (i.e., the non-nerds in the world) knew nothing of a certain Gallifreyan and his adventure in time, space and dimension.  Luckily for us, the ladies and gentlemen who worked at Marvel Comics were among the nerds, and delivered unto us the most unlikely crossover moment of all…

Script: Mary Jo Duffy
Pencils: Kerry Gammill
Inks: Ricardo Villamonte
Colors: Christie Scheele
Letters: Jim Novak
Editor: Denny O’Neil
Publisher: Marvel Comics
Cover Price: 60 Cents (Current Near-Mint Price: $3.00)

Previously, on Power Man & Iron Fist:  Luke Cage, born of the streets of Harlem and a chemical bath at Seagate prison.  Daniel Rand, born of a life of privilege and the zen teachings of the lost city of K’un Lun.  Unlikely friends, at best, their partnership was one of the best things about the end of the Bronze Age of Comics, outlasting both their respect crazes (Blaxploitation and Kung Fu movies, respectively.)  And no matter how much I like New Avengers, I desperately miss both the tiara and the giant golden disco collar…

We begin backstage on Broadway, as Power Man and Iron Fist visit their old pal Bob Diamond (late of the Sons of the Tiger) on the set of his latest shot at stardom: Day of The Dredlox!

Contrary to what appearances, Bob is NOT playing a color-blind version of Colonel Sanders, but instead an adventurer called Professor Gamble, who fights evil cyborgs that look like overturned garbage cans across time and space.  (Interestingly, Bob looks remarkably like a younger, smarmier version of Jon Pertwee in these sequences.)  At first, Bob is all bravado, but soon it becomes clear that something strange is happening in the theatre, as people and props disappear and various strange occurrences affect the production.  Power Man and Iron Fist agree to investigate, and find that the Dreadlox androids are a lot more than they seem!

“INCINERATE!  INCINERATE!”  Even at the tender age of 11, I knew that something weird was up with this issue, and that it was a reference to something that I didn’t get.  (I had a similar moment the first time I read Mark Gruenwald writing about something he loved called “The Prisoner,” which sounded exciting and exotic and weird.)  The heroes duck into the tiny bookshop, only to find…

…it’s bigger on the inside.  Mary Jo Duffy is still, I believe, working in comics here and there, and I’ve always enjoyed her dialogue, and especially enjoy her faux-Doctor musings here.  At this point in history, most of America would have only known the Fourth Doctor, with his scarf and curls, and Professor Gamble’s interactions with the heroes here is perfectly in keeping with Tom Baker-style characterization.  The REAL Professor Gamble explains that he wrote Bob’s new play (under the name Sergius O’Shaughnnesy, the psudonym that this issue’s editor Denny O’Neil used when he wrote for Charlton Comics) and that the threat of the Dreadlox is quite real.  Worse still, Bob Diamond is now their prisoner!

This, by the  way, is probably one of the places where I gleaned the word “frammistat” as a place-holder, also used by Cyborg at least once in ‘Teen Titans.’  I always liked the 70’s inner-city streetwise characters, which is why I have a complete run of Power Man/Iron Fist in the first place.  Using their respective powers of “kung fu” and “ass-kicking,” Luke and Danny engage the Dreadlox in battle, while the Doctor the Professor sneaks in to undermine their time machine.  Fighty-fighty ensues, and the killer robots use their superior numbers to gain the upper hand… errr, pincer.

Our heroes regroup, just in time for the cops to arrive…

Power Man and Iron Fist manage to spin the whole thing as a publicity stunt for Bob’s Broadway show, and all we’re missing is the tell-tale “VWORP!  VWORP!” noise that the TARDIS doesn’t actually make, but for some reason is always used for the sound effect in comics.  To be honest, I remember this issue as being considerably cooler than it actually is, partially due to an obscure later appearance by Professor Gamble that gives more depth to his character and ties him into a later Walt Simonson Thor story about the Time Variance Authority. Either way, the issues of Power Man & Iron Fist (especially of this vintage) are kind of a crapshoot.  As one of Marvel’s lower-tier titles, it ranges from brilliant (‘The Road To Halwan’ is a good one, as is the Firebolt one-shot) to ridiculous (the Zeno Stardust issue) and it’s funny to see the early-80’s assumptions on both ninjas and urban culture in action.  Overall, this issue has a lot of fun references and tributes to Doctor Who which overcome some flaws in the plotting (it both begins and ends pretty abruptly) and the art (Luke Cage looks uncomfortable simian throughout the book, even if Iron Fist looks as good under Kerry Gammill’s pen as he has since John Byrne.)  Power Man & Iron Fist #79 is better in retrospect, and is more successful as pastiche than as an individual issue, hitting a pretty average 2.5 out of 5 stars overall. 

Rating: ★★½☆☆

Faithful Spoilerite Question Of The Day:  When it comes to tributes like this, is it enough to just be a fan?  Or do you need to have something new to say about things?


About Author

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.


  1. That is great. Power Man/Iron Fist has always been one of those titles that didn’t catch my fancy as a child (when it was being published), but seems right up my alley now.

    Also, that panel with Luke enjoying a cuppa with his pinkie out is the best thing I’ve seen all day.

  2. I love these guys! It was a brilliant concept for a comic team up. I’m trying to get every issue. I think Marvel should make a movie of these two!!

  3. The “Professor” looks more like Elton John dressing as the Toyman, to me. I started this book about a year later, so I missed this nod to the greatest thing that came from the Beeb.

    I’m surprised you didn’t mention all the times Reed Richards would mention his “time travelling associate”, I think when Byrne was writing FF? or who was it when Sue was training with Danny and learning to use her forcefields in new ways, and the FF was briefly in a warehouse? around the Millennium?
    I think an Annual around the same time featuring a time-lost Thing even had Reed annoyed with a young student named “Jones”, whose professor grandfather was a very old “adventurer” friend of Reed’s as well.

    • You….like?…New Avengers?!?!?!?! Come on man! Taste…get some.

      It should be noted that I like what I like, and make no apologies for it. I have multiple copies of Skateman #1, thank you very much. :D

  4. Power Man and Iron Fist was a great example of working-class heroes. The best issues were where they had to deal with world-breaking characters like The Living Monolith. Wish Marvel had the Retroactive idea before DC. Would’ve loved to see a throwback story with these two.

  5. What a blast from the past! I remember picking this off the comic rack at the 7-11 when I was just starting comics and had to decide between buying this or plunking a few quarters into Dig Dug and getting a few mini-tootsie rolls…
    Having no idea “Who” that character was supposed to represent, I felt completely disconnected to this issue. I’m not sure what my expectations were from characters with such awesome names, but cleaning up crazy robot props run amok from a Broadway show that suddenly just disappear was definitely not it.
    In retrospect, the “hit and miss” quality you described definitely “missed” for me on this one and I don’t think I ever picked up another issue… I remember wishing I had my quarters back and I suddenly find myself wanting those tootsie rolls too :)

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