DC Comics relaunch former-Milestone title Xombi for a new millennium. Welcome to a world where the title character’s ‘powers’ are the least strange part of this entire book. Oh, he’s infused with nanotechnology that makes him perpetually physically optimized. What the hell am I talking about? Oh, just cut to the chase and make the jump!

Title: Xombi #1
Writer: John Rozum
Artist: Frazer Irving
Letters: Dave Sharpe
Cover(s): A) Frazer Irving & B) Brendan McCarthy
Assistant Editor: Rickey Purdin
Associate Editor: Harvey Richards
Editor: Rachel Gluckstern
Publisher: DC Comics
Price: $2.99

Previously: Xombi was hatched in 1994 within the pages of DC Comics’ Milestone Imprint, Xombi #0. The brainchild of recently deceased Dwayne McDuffie, the original book was written by John Rozum. Xombi tells the story of David Kim, a man transformed. He is exposed to nanotechnology and hence becomes a biotechnological force for good. 17 years later, Rozum returns to pen the latest incarnation of Xombi’s adventures in a world gone mad.

Your Mind Will Be BLOWN – Sandwiches Transform!

Xombi wastes no time before pimp slapping the reader with quirky weirdness. The world as we know it has been pierced by random acts of bizarre reality-bending shenanigans. Subjects from famous paintings cross over and begin feasting on one another, people get weird powers by reading books, and perhaps the most sinister event is the transformation of a trucker’s sandwich that changes from pulled pork to tuna fish.

In full disclosure, I have not read the original Milestone series. Starting out with a new #1 issue 15 years after the first series ended, I would expect to have some catching up to do. However, the amount of ancillary information shared within these first 22 pages is overkill. Too many characters, stilted exposition and examples of witty wordplay leave me cold. This book attempts to channel the chaos magician styling we’ve come to expect from the mind of Grant Morrison.  Unfortunately, it comes across as a pale imitation.

Why Should I Care?

Tangential relationships between characters are pivotal storytelling elements that are used to form the book’s plot structure. Unfortunately, there is very little context for these relationships and what little information that is imparted regarding friendships (such as the one Kim shares with friend Chet Flynn) does not impact any moments of tension within the story. In other words, I don’t really care about these people, no matter how weird they may be.

Artist Frazer Irving has a bit of recent history working with Morrison in Batman and Robin, making this creative team’s pairing oddly appropriate. Irving’s art is well crafted and his character designs are effective. The coloring employs a reoccurring palate of Magenta, an interesting stylistic choice that helped shape my overall opinion of the book; Xombi is trying too hard to be cool.

Invariably Vertigo

Besides Irving’s art, another positive attribute for the book is the fact that you get a dense, 22-page reading experience for your $2.99. For the life of me, I can’t figure out why this wasn’t released under the Vertigo imprint. I can’t see Xombi crossing over with other canonical DC heroes, so why released it under DC proper? I would think we might have learned a valuable lesson with cancelled DC Universe titles Simon Dark and The Mighty.

Bottom Line: Experimental But Ultimately Unsatisfying

I admire what this book sets out to do, but the final product doesn’t do much to compel me to make future purchases. It reads like Morrison-lite and although the art is pretty to look at, the story never really gets its footing. Xombi #1 receives 3 out of 5 stars.

Rating: ★★★☆☆


About Author

A San Diego native, Mike has comics in his blood and has attended the San Diego Comic Con every year since 1982. His comic interests are as varied as his crimes against humanity, but he tends to lean heavily towards things rooted in dystopian themes. His favorite comic series is Warren Ellis’ and Darick Robertson’s Transmetropolitan. Spider Jerusalem is the best character ever devised. Mike realizes those statements will alienate a good portion of his potential audience, but those are the facts. You are unlikely to find a single collector with a better Transmetropolitan art portfolio than the one he has in his possession. He is an Assistant Editor for the upcoming Transmetropolitan Charity Book. He also occasionally freelances for various other comics websites, which he promotes through his homepage (www.comickarma.com), Twitter and other inherently intrusive forms of social media. Mike firmly believes that the best writers come from the UK. This could be because he’s of Irish descent; not so much based on physical geography as the fact that the Irish like to drink heavily.

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