Or – “From The Major Spoilers Request Line!”

Of all the writers at 70’s era Marvel, Bill Mantlo’s work has more meaning for me than any save the late Steve Gerber.  Mantlo’s greatest triumphs were in turning some of Marvel’s earliest toy tie-in books (Rom: Spaceknight and The Micronauts) into three-dimensional heroes in their own right, and it’s a downright shame that those series likely won’t see reprints because of their licensed nature.  Bill had a hand in Deadly Hands of Kung-Fu, Howard the Duck, The Defenders and more of my favorite vintage books, and brought in the unlikeliest antagonist of all for Spider-Man in the arc leading up to this issue:  16th Century Puritan Minister Cotton Mather, key figure in the Salem Witch Trials!

Scripter: Bill Mantlo
Penciler: Sal Buscema
Inker(s): Mike Esposito; Dave Hunt (backgrounds)
Cover Artist(s): Gil Kane & Dan Adkins (signed)
Colorist: Janice Cohen
Letterer: Gaspar Saladino (page 1); Karen Mantlo
Editor: Marv Wolfman
Publisher: Marvel Comics
Cover Price: 25/30 Cents (Current NM Price: $20-$75)

Previously, on Marvel Team-Up:  So, Cotton Mather has a problem.  He’s been decrying the practice of witchcraft in his various pamphlets, but his actual aim has been to shake a REAL witch out of the trees to empower his evil patron, a creature called the Dark Rider.  (It’s kind of a blah name, but bear with me, he’s kind of the MacGuffin, anyway.)  By 1691, things were going badly, causing Mather to travel forward in time to the present (circa 1976, anyway) to capture Wanda Maximoff, the Scarlet Witch.  In a desperate bid of self-protection, Wanda summoned Spider-Man to Latveria where he used Doctor Doom’s time machine to travel back to trial-era Salem in search of the Scarlet Witch.  The Vision soon followed them, then Doctor Doom himself, all of whom fell before the mighty of the Dark Rider.  (For somebody who needed a new power source, this guy seems to have a LOT of energy, defeating four superheroes in battle and dispatching his lackey through the timestream at will.)  The two Avengers, Doom and Spidey found themselves in the clutches of evil, their doom upon them.  Fortunately, in their native future era, another Avenger finds herself summoned by a strange energy force…

Teleported back in time, Moondragon (not yet the arrogant sack of whump that she would eventually become) finds Doom and the Scarlet Witch being drained of their arcane powers.  Moondragon keeps the villain at bay, while Spider-Man, the Vision and the Witch awaken.  Wanda reveals that she summoned her teammate to the past (a power level that pretty much wouldn’t recur until the “Avengers: Deconstructed” era.)

Moondragon, The Vision and Scarlet Witch each try to fight the creature alone, while Doom’s power is slowly drained away.  Spider-Man realizes that the monster has sufficient juice to take down any one of them, but perhaps not enough to face them ALL, and sets forth to release Doom from his prison…

It’s a little bit weird to see Doctor Doom and the Web-Head workin side-by-side like this, but it was the 70’s.  Things were different.  Mantlo’s use of the trademark Bronze Age “Wall O’ Dialogue” (TM Rodrigo) is loose and entertaining, but he knows how to put words in the mouth of Spider-Man AND Doctor Doom, something that can’t be said for some of today’s best-known Marvel scribes.  (coughbendiscough)  A five-pronged assault pushes the Dark Rider back through the timestream using his own powers against him, leaving the heroes and villain triumphant.  Before returning to the present, though, Spider-Man swings back to Salem to find John Proctor, a man beside whom he was imprisoned in a previous issue…  Sadly, Spidey arrives too late.

During the 70’s, a number of factors (including a paper shortage) caused Marvel to cut the number of pages in their books, some of them pretty drastically.  This story really shows the strain this puts on the plotting, as the 16 pages of story just can’t convey the drama that this last panel needs to carry.  Still, though, when you read this issue with the previous three as an arc, it becomes clear that Mantlo had something on his hands.  (There are some issues with historical accuracy, given that John Proctor WAS hanged on 19 August, but his wife Elizabeth was spared since she was pregnant, and their children survived.)  Artwise, we’re in the hands of Sal Buscema, who gave us the Captain America tale a few Retro Reviews ago, and who does a pretty slick web-slinger and a downright awesome Doctor Doom.  When this book was recommended in the Retro Review Forum thread (feel free to drop in and suggest your favorite issues of days gone by) I couldn’t remember anything but Cotton Mather, but it’s good to revisit Mantlo’s Marvel U., a place of heroism, a place of danger, and a place that has more emotional depth than many of the contemporary takes on Peter Parker’s world.  Marvel Team-Up #44 takes a relatively silly premise (Spider-Man vs. The Salem Witch Trials!) and twists and reworks it into something different and mostly effective, earning a strong 3.5 out of 5 stars overall.  Team-Up and it’s sister book Marvel Two-In-One were always like digging for hidden treasure:  Sometimes you’d get a gem, and sometimes just a coprolith, but it was always fun digging around to see what came up.

Rating: ★★★½☆

Faithful Spoilerite Question Of The Day:  Should superheroes and real-life history be mutually exclusive?


About Author

Once upon a time, there was a young nerd from the Midwest, who loved Matter-Eater Lad and the McKenzie Brothers... If pop culture were a maze, Matthew would be the Minotaur at its center. Were it a mall, he'd be the Food Court. Were it a parking lot, he’d be the distant Cart Corral where the weird kids gather to smoke, but that’s not important right now... Matthew enjoys body surfing (so long as the bodies are fresh), writing in the third person, and dark-eyed women. Amongst his weaponry are such diverse elements as: Fear! Surprise! Ruthless efficiency! An almost fanatical devotion to pop culture! And a nice red uniform.


  1. To answer your question, only contemporary history and to a point. I feel news should be news, but not part of the story. A good writer can draw up a similar events if he wants to do social commentaries.

  2. As much as we see time travel in comics, why not? Gaiman weaved history into 1602 quite well, so it showas that it can be done in the right writer’s hands.

  3. When history and comics blend, just for me, I enjoy it but I prefer when the action happens to the side of the major historical event. Or it’s peripheral to the big event, kinda like to a degree when Indiana Jones bumps into Hitler at the book burning. But occasionally certain skilled writers are able to write some truly great piece of fiction that has the character affecting key moments in history and it can be a compelling read. In movie form, I think of Forrest Gump, being that he’s entirely fictional but he was living on the pulse of the nation, he had a hand in a multitude of events and it was a brilliant tale that still gets me to sit down and pay attention whenever it’s on. I know movies better than comics, so I’m sure there are other great examples that someone else could pull from past comics.

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