For five months, Batman and Robin has been on the Must Read First list of Major Spoilers own Stephen Schleicher and Matthew Peterson. In what we hope to be a new feature on the site, the founder and second in command sit down to take a peek under the hood of the Batman and his possibly slightly insane sidekick.

BMROB_Cv5.jpgPreviously, on Batman and Robin:  Dick Grayson is settling into his new role as protector of Gotham, and while his friction with new Boy Wonder Damian Wayne is not gone, it’s at least lessening.  Of course, the new Bat has also had his share of new menaces, in the Crime Circus, Professor Pyg, and the mysterious new Red Hood.  Last time around, we revealed that the man under the hood is indeed Jason Todd (the second Robin) and that Jason’s crusade is taking things a step further than either Bruce Wayne or Grayson did.  “Let the punishment fit the crime” is his credo, but it’s clear that this approach won’t always lead to justice being served

STEPHEN: I gotta say, we’re now five issues in, and I’m not feeling the love for the series like I did the first two installments.  While I like the somewhat over the top nature of the story, it seems like Morrison is intentionally upping the violence ante with each issue.  While Pyg was pretty creepy, the blood and guts in this installment seemed like they were added in for shock value sake.

What is it with Morrison and cutting off people’s faces in this arc? First it was Pyg, then Sasha’s disfigurement, then it’s Jason Todd covering up his face as the Red Hood, and then Flamingo cuts off people’s faces and eats them.   Without getting too meta, I’m wondering if Morrison is using this series mirror the “face change” that’s occurred with Batman and Robin.

MATTHEW: I absolutely agree with you here, Stephen.  Morrison’s initial approach had an air of Silver Age to it, taking the Batman in what felt like a retro approach, with the smiling superhero finally overtaking the grim dark knight detective.  I understand that a lot of Batman’s allure comes from his dark aura, there’s no reason that the character can’t occasionally have fun.  Flamingo’s new gimmick would seem gruesome and out of place in a Bruce Wayne story, much less in this seemingly “kinder, gentler” Batman.  I also noticed the face motif, which I took to be a less-and-less-subtle-each-issue meta statement on masked vigilantes, and the age-old question of whether Bruce Wayne or Batman is the REAL face of the character.)

STEPHEN: One of the over the top aspects of the story that really pulled me out of the story was how quickly Sasha became a fighter.  Granted, there has never been a time indicator in this arc, but it seems everything is taking place over the course of a a month, which makes it rather hard to say Todd was able to train her, even on the most basic fighting skills that quickly.  That could just be me…

MATTHEW: Mmm…  You make good points here.  Without knowing how much time takes place between issues (or if this takes place before or after Batman: Darkest Night, the Streets of Gotham, et al) that didn’t bother me so much.  I would say that, since she hasn’t dealt with the question of her mask, a lot of time hasn’t passed, or else the urge to remove the false face would have become overwhelming.

STEPHEN: What did you think of Jason Todd going back to his original red locks?

MATTHEW: That was one of the elements that I really dug about this issue, honestly.  It’s a bit of continuity that even *I* had forgotten about the character, and grounding Jason with a silly worry like a receding hairline reminds us that the character is human.  Jason Todd’s dramatic potential as a PERSON who has been jerked around is far greater than his potential as the living symbol of Bruce Wayne’s (only?) failure.

STEPHEN: Even with my issues on the violence and the weird timeline going on, I thought the pacing was pretty good, and the dialogue was well written.  I really like the exchange in the penthouse where Dick says he isn’t a businessman, and Damien responds, with, “It’s just numbers. I can do that.”  I’m wondering if he’s just being his regular Damien self, of if in his current state of just having his butt handed to him, if he’s coming even further off his high-horse and we might actually seem him be the new businessman of the family.

MATTHEW: Damien should take on the role of head of Wayne Industries.  It’d be absolutely wonderful to see this ten year old punk strong-arming the various and sundry mergers and acquisitions of Waynetech with the built in ruthlessness of someone who grew up in the presence of Ra’s Al Ghul.

One of the disappointments of this issue for me came in the visual interpretation of things.  As one of the proponents of Frank Quitely, I liked his rounded old-school characters.  Philip Tan did a good job last time, in my opinion, but this issue feels a lot less fully-formed.  The opening sequence with Scarlet bothers me, as she looks barely deformed here save for some odd squiggly lines, whereas Quitely (and last issue) gave her features an almost amorphous blob effect.  Tan’s Robin is effective, and Damien’s expressions were good, but his take on Dick, on Jason, and on Scarlet was inconsistent throughout.

STEPHEN: I think Philip Tan does a good job of trying to duplicate Frank Quitely’s art, but it seems like he’s trying to squeeze a whole lot into a small panel, and it causes the page to seem really claustrophobic and hard to read at times.  Did any of the art remind you a bit of a toned down Kelly Jones?

MATTHEW: That’s exactly the tone that I got, especially in the use of spot blacks regarding Batman’s cape, and the hospital sequence with Jim Gordon and the maimed mobster.

STEPHEN: Overall, I wasn’t overly impressed with the issue.  The art and writing is fine, but it just seems to be going down a much darker path than the series start.  I still liking Morrison on this series much more than I did his previous attempt at telling a coherent and understandable Batman tale, but this just didn’t make me want to read it again.  I will admit this was my top of the stack pick this week, but after finishing the issue, I found myself digging through my stack looking for something else.  I’m giving the issue a 3 out of 5 Star rating.


MATTHEW: For me, the issue suffered mostly in comparison with what has come before.  The first issues of this book were daring, but still had a tone that was less oppressive than I associate with Batman titles (a tone which, by the way, often keeps me away from said books.)  Coming into this arc, all the pieces are still there, but I think Tan is much less intuitive in his understanding of what Morrison’s intent is, and the overall effect is one of dissonance.  For my part, this was one of the books that I wanted to read first out of my little brown bag of comics, and one of the ones that left my expectations most dashed.  For me, Batman and Robin #5 earns a slightly-less-than-I-wanted-to-like-it 2.5 out of 5 stars overall.



About Author

Warning: Pregnant women, the elderly, and children under 10 should avoid prolonged exposure to the Robot Overlord. Robot Overlord may suddenly accelerate to dangerous speeds. The Robot Overlord contains a liquid core, which if exposed due to rupture, should not be touched, inhaled, or looked at. If Robot Overlord begins to smoke, get away immediately. Seek shelter and cover head. Do not taunt the Robot Overlord.


  1. It’ll cheer up when Cameron Stewart takes over on the art.

    I certainly enjoyed the continual emphasis on masks and faces – you’ll notice also that the Gravedigger never shows his face, and his book is called “Masks of Evil”.

  2. In what we hope to be a new feature on the site, the founder and second in command sit down to take a peek under the hood of the Batman and his possibly slightly insane sidekick.

    And a peek under the hood of the Stephen and his possibly slightly insane sidekick… :)

  3. The “escalation of violence from the criminals in response to the vigilantes” felt too much like the ending from “Batman Begins”, that alone killed anything good this comic might have had. for me.

    On the training part: it takes all of 30 second to learn to throw a jab, two weeks to do it at the right lenght without hyperextending your muscles everytime, a month or 2 to be able to do it while moving with the right snap to it and a good many years to master. All that only for one punch.

    The level of fighting skill Scarlet has would require at the very least a year of intense, 6 out 7 days a week, of training.

      • Don’t get me started on knives, shurikens, cards, clubs, etc. throwing. It’s close to imposible to throw any of those in the comic fashion, by which I mean horizontaly. You can’t throw anything in the “opening fan” way they do in comics, you know the cool opening arms horizontaly and throwing thing? Total crap, to throw an object such as a knife/axe or club you do it in a vertical fashion starting at ear level and moving the arm downward. You can also do it from the waist and moving the arm upwards, but it’s harder.

        • I hate to be a nuisance, but is it time for me to stand up on my stepladder & say “it’s only comics” again? Like, I thought we were all well aware that the “normal rules of reality” don’t apply to people, places, things or events that take place in our beloved high-gloss pulpies. :D Let’s not debate “realistic fighting” minutiae when the premise of the book is “Super-rich adopted acrobat dons bullet-proof suit that’s light enough to do backflips in, and fights crime with his assassin-trained, long-lost-son-of-Bruce sidekick. All whilst driving a tank on wheels that can shoot nets out the front hatch and fly when it wants to.” :) It’s _all_ for the benefit of the storyline, and “normality” will be suspended whenever it’s convenient. :D I know everybody probably knows this, but sometimes I like to point out the hopefully-obvious. :D

          • LOL! I know, it’s just that sometimes its hard to forget what you know to be true and when a comic book isn’t that good all the little problems seem huge all of a sudden.

  4. By the fourth issue, I was ready to drop the series. The reveal that Jason Todd was the Red Hood brought me back for the time being. I also appreciate the reminder that Jason was originally a red head.
    I’m confused by Sasha’s story. Was she messed up before Pyg’s mutilations and that pushed her fully over the edge? Or, was it all caused by Pyg’s “infection”?

    • I’m of almost the exactly-oppposite opinion: I was ready to keep going with this, hoping that “The Red Hood” would turn out to be some kind of swerve. Maybe it will still reveal itself as one, but the way J.T. is talking makes it sound like it’s allll his idea. But that’s typical for the Toddster, so who knows if it’s true? Also, the ‘confusion’ surrounding Sasha/Scarlet makes me even wonder if the writer has a plan, or if he just decided to keep her from the Pyg-story as an afterthought because it’d be cool for Damian to have a “failure” this early in his career. Y’know, more that she continues to exist because of what she represents, not “who she is”. I won’t be heartbroken if I have to get all my info about this one second-hand from y’all doin’ the reviews.. We’ll see how the next issue goes, and then we have hit the Official Issue Number Six Decision-Making Point. :)

Leave A Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.